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American Theatre

@americantheatre.org
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The national magazine for the American professional not-for-profit theatre. Subscribe at americantheatre.org/join

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American Theatre @americantheatre.org · 8h
According to Stage Raw’s Steven Leigh Morris, in assessing the state of Southern California’s sprawling theatre scene, contradictions emerge between struggle and success, and the draw of new plays. In any case, theatre hasn't died. 
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L.A.’s Runway Project
The state of play(s) in Southern California, where the theatre refuses to die.
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American Theatre @americantheatre.org · 29/09/2026
Theater Alliance, IN Series, and 4EYE Film Center will lead and share Revada Arts Center, a new arts hub and gathering space designed in the spirit of solidarity economics.
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Revada Arts Center: A New Artistic Home in Southwest D.C.
Theater Alliance, IN Series, and 4EYE Film Center will lead and share a new arts hub and gathering space.
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American Theatre @americantheatre.org · 29/09/2026
In his check-in on Atlanta theatre, ArtsATL editor-at-large Jim Farmer reports on field-wide and region-specific challenges: changing audience behavior, dwindling philanthropic support, a space scramble, and pushes for equitable theatre.
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The Atlanta Way
Despite challenges with funding and perception, theatre in Georgia's capital city is eclectic and vibrant.
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American Theatre @americantheatre.org · 28/09/2026
Associate editor Daniella Ignacio's report from the D.M.V. area shows that local theatremakers are surviving and striving, from programming that taps into the political zeitgeist to more spaces dedicated to new work, and speaking out.
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District Defiance
How theatres in the nation's capital are surviving, striving, and living to fight another day.
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American Theatre @americantheatre.org · 28/09/2026
In looking around the U.S. in anticipation of a busy 2026-27 theatre season, we decided to tell the stories of three major theatrical hubs: Atlanta, Los Angeles, and Washington, D.C.
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American Theatre @americantheatre.org · 25/09/2026
In this feature, Judy Yin Shih, one of three artists in residence at the Huichang Theatre Festival international festival, recounts the experience of gathering actors from all over China to explore Ibsen's seminal play 'Hedda Gabler.' www.americantheatre.org/2026/09/25/h...
americantheatre.org
‘Hedda Gabler’ in Huichang: Collaboration With a Sense of Place
One of 3 artists-in-residence at a newish theatre festival recounts the experience of gathering actors from all over China to explore Ibsen.
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American Theatre @americantheatre.org · 25/09/2026
September's Entrances and Exits roundup include planned departures of long-time American Players Theatre artistic director Brenda DeVita and Hudson Valley Shakespeare managing director Kendra Ekelund. Meanwhile, San Francisco's Magic Theatre has announced Perla Vanesa Barraza as managing director.
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Reduced Shakespeare Company @reduced.bsky.social · 24/09/2026
Sad to report that RSC founder Daniel Singer has died after an 18-month battle with cancer. He was in great spirits talking about his new play on the podcast with @austintichenor.bsky.social back in July. Our love goes out to his family and loved ones. Extraordinary legacy. @americantheatre.org
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American Theatre @americantheatre.org · 24/09/2026
Carey Perloff survived a kaput HVAC system and an electric scooter crash while staging all three Theban plays with Playmakers Rep. But “a god came crashing through” at last one’s opening...
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A God Comes Crashing Through: Rehearsing ‘Oedipus’ in North Carolina
The adaptor/director of a new take on Sophocles's tragic trilogy reflects on the play's lessons about fate and failure, as retaught by the production's ups and downs—including a cancelled opening night.
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American Theatre @americantheatre.org · 24/09/2026
Alex Edelman's 'Just For Us' starts performances at Capital Stage in Sacramento, California this week, running through Oct. 25. Dramaturg Gabrielle Hoyt wrote about it for American Theatre in 2023 when it made its Broadway debut.
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Rob Weinert-Kendt @robkendt.bsky.social · 24/09/2026
New issue out, really happy with this one (and what a cover, if I may say so myself)
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American Theatre @americantheatre.org · 23/09/2026
Our industry has been crying wolf about how the American theatre is at an inflection point for decades. In her publisher’s letter for the fall 2026 edition, Kelundra Smith argues that the field is in dire need of reimagining and rebuilding. www.americantheatre.org/2026/09/23/t...
americantheatre.org
The American Nonprofit Theatre Movement Must Be Reimagined
The industry must not look away from a moment that is begging for it to change, writes publisher Kelundra Smith.
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American Theatre @americantheatre.org · 23/09/2026
For this month's AT Education newsletter, Allison Considine writes about the intergenerational theatre coming out of White Bird Productions. Read more at AmericanTheatre.org or at the link in stories.
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Reduced Shakespeare Company @reduced.bsky.social · 22/09/2026
On the Podcast: Since we couldn't be part of the thousands surrounding the Kennedy Center, we share our memories of the 8 summers we performed there, and the award-nominated show we premiered there. HEAR HERE (or wherever you get your podcasts)! @americantheatre.org
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Kennedy Center Memories - Reduced Shakespeare Company
The Reduced Shakespeare Company joins those fighting to save Washington DC's Kennedy Center from those who would destroy it. RSC artistic directors Reed Martin and Austin Tichenor share their favorite...
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American Theatre @americantheatre.org · 22/09/2026
Steven Sater, the longtime collaborator of composer Duncan Sheik on projects like 'Spring Awakening' and 'Alice By Heart,' remembers his colleague’s mischief and melancholy, and the melodic gift he took for granted in this In Memoriam piece. www.americantheatre.org/2026/09/22/f...
americantheatre.org
For Duncan Sheik: Requiescat
The composer's longtime collaborator remembers his colleague's mischief and melancholy, and the melodic gift he took for granted.
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American Theatre @americantheatre.org · 21/09/2026
In 'Horsegirl & Cowdaddy,' new co-production between the Wilma Theater and Soho Rep, playwright DJ Hills takes inspiration from their upbringing in Appalachia in this world premiere tackling the intersections among queerness, transness, class, and geography www.americantheatre.org/2026/09/21/r...
americantheatre.org
Rural Tenderness in ‘Horsegirl & Cowdaddy’
DJ Hills takes inspiration from their own upbringing in rural Appalachia in this world premiere tackling the intersections among queerness, transness, class, and geography.
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American Theatre @americantheatre.org · 21/09/2026
t's been over a year since National Guard troops were first deployed into Washington, D.C. Mosaic Theater Company has commissioned four artists to respond to the moment, with pieces about living and working as artists in DC under these conditions. www.americantheatre.org/2026/09/21/d...
americantheatre.org
D.C. Resilience and Resistance in Mosaic Theater’s Reflection Series
The Washington theatre commissioned 4 artists to share creative writing, performance, and video responses to the past year of living under National Guard occupation.
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American Theatre @americantheatre.org · 21/09/2026
Theatre educators: What’s one thing you’re hoping to try, change, or prioritize in your classroom this year?
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American Theatre @americantheatre.org · 18/09/2026
We're devastated by the news of Duncan Sheik's death at age 56. We spoke to the SPRING AWAKENING composer back in 2006 about his work www.americantheatre.org/2006/05/01/t..., and we put the show on our April 2007 cover.
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American Theatre @americantheatre.org · 18/09/2026
In this feature, Lucie Tiberghien, the founding Executive Director of Molière in the Park imagines a world where arts and culture are invested in as public goods, much like parks. www.americantheatre.org/2026/09/18/w...
americantheatre.org
What If We Valued Theatre Like We Value Parks?
Imagine if we made arts and culture as free and accessible—and as beautiful—as places like Prospect Park.
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American Theatre @americantheatre.org · 18/09/2026
Though it’s hardly her finest work, a new production of ‘An American Daughter’ offers a welcome chance to consider Wendy Wasserstein’s unique contributions to American theatre and beyond. www.americantheatre.org/2026/09/18/o...
americantheatre.org
O Wendy! My Wendy!
Though it’s hardly her finest work, a new production of ‘An American Daughter’ offers a welcome chance to consider Wendy Wasserstein’s unique contributions to American theatre and beyond.
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American Theatre @americantheatre.org · 18/09/2026
On our annual special episode of OFFSCRIPT, we announce the Top 10 Most-Produced Plays and Top 20 Most-Produced Playwrights of the coming season, and are later joined by two of the latter, Kimberly Belflower and Branden Jacobs-Jenkins, for a wide-ranging conversation.
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American Theatre @americantheatre.org · 17/09/2026
Our latest edition of Role Call features a roundup of designers, of all kinds, working throughout the United States. www.americantheatre.org/2026/09/16/6...
americantheatre.org
6 Designers You Should Know
This edition features designers of all kinds working throughout the United States.
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American Theatre @americantheatre.org · 16/09/2026
Kimberly Belflower’s JOHN PROCTOR IS THE VILLAIN will be the most-produced play in the 2026-27 season, and August Wilson will be the most-produced author.
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‘John Proctor Is the Villain’ and August Wilson Top This Year’s Most-Produced Lists
Kimberly Belflower’s popular drama will be the most-produced play in the 2026-27 season (apart from ‘A Christmas Carol’), and Wilson will be the most-produced author (aside from Shakespeare).
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American Theatre @americantheatre.org · 16/09/2026
Today's the day! Join us in less than two hours to find out who's made the list of this season’s most-produced plays and playwrights 👀 www.facebook.com/events/15502...
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American Theatre @americantheatre.org · 15/09/2026
Theatre educators: What helps you shift from summer mode back into teacher mode? And what’s one thing you’re hoping to try, change, or prioritize in your classroom this year?
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American Theatre @americantheatre.org · 14/09/2026
On this month's episode of The Subtext podcast, Adrienne Dawes, the playwright of ‘You Are Pretty,’ ‘Am I White,’ and ‘Teen Dad,’ talks about growing up as a mixed-race adoptee in Texas and finding her voice as a Chicago sketch performer. Find the episode on Spotify or Apple Podcasts.
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American Theatre @americantheatre.org · 14/09/2026
Ahead of the conclusion of Boston's 9-play Ufot Family Cycle and CREATION STORIES AND ALL THE IMPORTANT IMPORTANTS at Lincoln Center, we chat with playwright Mfoniso Udofia about stories that allow Black women to dream again.
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People to Watch: Mfoniso Udofia
The playwright behind the Ufot Family Cycle chats about making theatre more community-oriented and humane, and how to make Black girls fly.
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American Theatre @americantheatre.org · 11/09/2026
Working from a foundation of accessibility, Arizona Theatre Matters is beaming their art around the world, and supporting marginalized artists in the process.
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Know a Theatre: Arizona Theatre Matters
Working from a foundation of accessibility, this organization is beaming their art around the world, and supporting marginalized artists in the process.
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American Theatre @americantheatre.org · 11/09/2026
Our summer 2026 print edition featured contributors are Lovia Gyarkye, who gave us a report on the NEA, and Sheila Regan, who checked in with Minneapolis's Hmong communities for a production notebook on Theater Mu's HMONG FUTURES. 
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Featured Contributors
A report on the NEA, and a deep dive into Hmong communities in Minneapolis.
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American Theatre @americantheatre.org · 11/09/2026
For this month's Goes to Show Column, Rob speaks with the acclaimed actor Brian Cox and his wife, Nicole Ansari-Cox about their roles of J.S. Bach and Bach's wife in Oliver Cotton’s new play "The Score" onstage now at Shakespeare Theatre in D.C. www.americantheatre.org/2026/09/11/f...
americantheatre.org
Fugue Off: Brian Cox Plays a Well-Tempered Bach in ‘The Score’
A chat with the acclaimed actor and his wife, Nicole Ansari-Cox, onstage now in Oliver Cotton's new play at Shakespeare Theatre in D.C.
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American Theatre @americantheatre.org · 10/09/2026
Where better to end a Cold War than in Iceland? In REYKJAVIK86 (running Sept. 11-27 at Dallas Theater Center), the story of President Ronald Reagan and Soviet leader Mikhail Gorbachev’s fateful peace talks to scale down nuclear weapons harkens back to a moment of diplomacy we can learn from today.
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When Misha Met Ronnie: Dallas Theater Center’s ‘Reykjavik86’
Opening Dallas Theater Center's season of all new work is a play about President Ronald Reagan and Mikhail Gorbachev’s fateful peace talk to scale down nuclear weapons.
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American Theatre @americantheatre.org · 10/09/2026
Molly Smith Metzler's comedy CRY IT OUT starts performances today (Sept 10) Bloomsburg Theatre Ensemble. As this week's TBT post, we're sharing our Q&A with Molly from 2018, when AT published the play. www.americantheatre.org/2018/12/06/t...
americantheatre.org
The Parenthood Trap
A conversation with the playwright of 'Cry it Out,' a comedy/drama about bonds and conflicts among neighbors with young children.
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American Theatre @americantheatre.org · 10/09/2026
Our roundup of prizes, fellowships, and other recognitions for the start of September includes Horton Foote Prize recipient Talene Monahon, MTC’s Judith Champion Playwriting Fellowship recipient Sam Hunter, the inaugural recipients of MENA Theatermakers Grants, and more.
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American Theatre @americantheatre.org · 10/09/2026
“To make your ART practice a lived and lasting reality, you must contend with what stands in the way: internally, systemically, and relationally.” -Nicole Brewer, director and author of THE ANTIRACIST THEATRE
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Can the American Theatre Unlearn Racism?
Going beyond diversity statements, antiracist theatre practices promise a liberatory future for all.
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American Theatre @americantheatre.org · 09/09/2026
Theatre Row has announced a new Studio Residency program to provide nonprofit performing arts companies with resources of space, time, and professional development intended for organizational growth. Applications open Sept. 9 and close Oct. 4. www.americantheatre.org/2026/09/09/n...
americantheatre.org
NYC’s Theatre Row Announces New Studio Residency
4 companies will be selected to be residents at the multi-theatre complex for a 10-month season running February-November.
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American Theatre @americantheatre.org · 09/09/2026
This excerpt from director/author Nicole Brewer’s new book THE ANTIRACIST THEATRE: CRAFTING THEATRICAL COLLABORATION traces the growth of antiracism training from the pandemic to now, and the complexity of progress. 
americantheatre.org
Can the American Theatre Unlearn Racism?
Going beyond diversity statements, antiracist theatre practices promise a liberatory future for all.
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American Theatre @americantheatre.org · 09/09/2026
In a week, American Theatre reveals the list everyone’s waiting for: the top 10 plays and top 20 playwrights of the upcoming season! Join us on Facebook Live on Wednesday, Sept. 16 at 1 p.m. to find out the most-produced artists of 2026-27!
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American Theatre: Offscript - Most-Produced Plays and Playwrights of the 2026-27 Season
Theater event by American Theatre magazine on Wednesday, September 16 2026
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American Theatre @americantheatre.org · 09/09/2026
This year’s annual festival celebrating Latine writers and artists marks 10 years of the Sol Project, 9 years of SolFest, and 4 years of the NSP Latine Shortsfest.
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The Sol Project Marks 10 Years With SolFest 2026
This year’s festival marks 10 years of the Sol Project, 9 years of SolFest, and 4 years of the NSP Latine Shortsfest.
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American Theatre @americantheatre.org · 08/09/2026
Brett Bernardini, in response to Oskar Eustis’ declaration this summer and culling from 30-plus years as a theater maker in small town rural America, writes about the intricacies of nonprofit funding and how their very structure led to their downfall. www.americantheatre.org/2026/09/08/t...
americantheatre.org
The Real Movement Was Where We Weren’t Looking
We shouldn't mistake the end of a funding arrangement for the end of the culture that funding once carried.
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American Theatre @americantheatre.org · 04/09/2026
Premiere Stages, the professional theatre company in residence at Kean University, is accepting submissions for their annual Premiere Play Festival through Nov. 1. The winner receives $10,000 and a full Equity production in 2028. Apply here:
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Play Festival - Premiere Stages
Through our play development program, the Premiere Play Festival, over 60 new plays have been developed through readings, workshops and full productions.
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American Theatre @americantheatre.org · 03/09/2026
September highlights include theatre reopenings after national emergencies—9/11 and the Covid-19 pandemic—plus the African Company’s beginnings, and a troupe’s return to the states after foreign imprisonment.
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This Month in Theatre History
September highlights include two theatre reopenings after national emergencies, the African Company's beginnings, and a troupe's return to the states after foreign imprisonment.
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American Theatre @americantheatre.org · 03/09/2026
ICYMI: Watch the latest Re:working panel, “Rethinking Reviews and Recognitions,” with Gabriela Furtado Coutinho, Mike Davis, Tanya Burmudez, Connor Bradshaw, and Kerry Reid, which covered the relationship between journalists and theatremakers at The Understudy Coffee and Books with Pocket Theatre!
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Re:working - Rethinking Reviews and Recognitions
YouTube video by The Understudy
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American Theatre @americantheatre.org · 02/09/2026
The historic Providence theatre Trinity Rep’s artistic director Curt Columbus, whose last play as its leader is ‘The Getaway Driver,’ recalls his two-decade tenure, and talks about what’s next. www.americantheatre.org/2026/09/01/c...
americantheatre.org
Curt Columbus Stages His ‘Getaway’ From Trinity Rep
The historic Providence theatre’s artistic director, whose last play at its leader is 'The Getaway Driver,' recalls his two-decade tenure, and talks about what's next.
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American Theatre @americantheatre.org · 02/09/2026
In a never-before-seen excerpt from COYOTE: THE DRAMATIC LIVES OF SAM SHEPARD, Robert M. Dowling recounts when playwright Sam Shepard taught at Padua Writers Workshop. David Henry Hwang was his student!
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The Time Sam Shepard Taught Playwriting Way Out West
Recruited by Padua Hills Playwrights founder Murray Mednick, Shepard joined an ad-hoc faculty in 1978 for the experimental workshop. Among his pupils: a young David Henry Hwang.
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American Theatre @americantheatre.org · 01/09/2026
In the latest news from a historic if bumpy theatre merger between Pittsburgh Civic Light Opera (CLO) and Pittsburgh Public Theater (PPT), a new name for the combined theatre has been announced: Confluence Theater of Pittsburgh. Confluence’s name was chosen by Pittsburgh residents themselves.
americantheatre.org
Pittsburgh CLO and Pittsburgh Public Theater to Merge as Confluence Theater of Pittsburgh
Dr. Brett Ashley Crawford and Kyle Haden will lead the newly combined organization.
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American Theatre @americantheatre.org · 01/09/2026
At the International Black Theatre Festival, Nikki Carpenter discovered a new love for this biannual celebration of Black theatre artistry and excellence and reflects on founders Larry Leon Hamlin and Sylvia Sprinkle-Hamlin’s vision for a Black theatre festival that’s a family affair.
americantheatre.org
Black Theatre’s Family Reunion
Every other year since 1989, the International Black Theatre Festival has gathered theatremakers and fans for a celebration of Black artistry and excellence.
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American Theatre @americantheatre.org · 01/09/2026
As theatre seasons nationwide get underway, this September’s world premiere roundup surges back with perhaps the longest world premiere listing we’ve yet compiled. www.americantheatre.org/2026/09/01/w...
americantheatre.org
What Else Is New: From ‘Gilgamesh’ to ‘Basquiat’
The cup overfloweth in this nationwide roundup of new stage works.
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Rob Weinert-Kendt @robkendt.bsky.social · 01/09/2026
New work on U.S. stages? In this economy? Our complete list for September. www.americantheatre.org/2026/09/01/w...
americantheatre.org
What Else Is New: From ‘Gilgamesh’ to ‘Basquiat’
The cup overfloweth in this nationwide roundup of new stage works.
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Rob Weinert-Kendt @robkendt.bsky.social · 25/08/2026
Like his deep dive into the end of The Lark, this piece by Francisco Mendoza about the rise and fall of new-play programs at major U.S. theatres over the past two decades is long, granular, and revealing reading. A must read imho
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