Evgeny Titov inszeniert einen betont dystopischen Parsifal für das Royal Opera House Covent Garden – und stellt im Kontrast mit den herausragenden Sängerleistungen den spirituell verbrämten Mythos in ...

A contemporary piece by David Fennessy is framed by JS Bach and Arvo Pärt in a show characterised by uncanny sounds and ghostly chorales

James MacMillan’s sixth symphony proved an intricate, intriguing and forward-looking work. It was well paired with Stephen Hough’s exuberant ‘Emperor’ piano concerto and a Liszt rarity

Marin Alsop, the Philharmonia and three outstanding choirs gave the London premiere of Wolfe’s work about the deaths of 146 workers in a New York garment factory fire in 1911

The evening features everything from a rendition of an inscrutable Samuel Barber concerto to a celebration of Dolly Parton, but the real star is tartan-clad tenor Nicky Spence

Renell Shaw and TD Moyo’s new opera, with libretto by April Koyejo-Audiger, tells a tragic story of two cousins. Gamba Cole shines as Adjani

The staging is awkward and balance is an issue at points, but the singers of British Youth Opera are consistently impressive

The ferociously dynamic Swedish Chamber Orchestra help Fröst drill down to the rhythmic essence of Beethoven’s Seventh Symphony as well as works by contemporary composers

The UK premiere of Wynton Marsalis’s Concerto for Orchestra was playful and punchy, before elegant Gershwin and noirish Barber

Sunday afternoon’s two concerts, closing the Proms’ Bristol weekend, brought the superlative Tenebrae, and Sakari Oramo swapping baton for bow to duet with his wife

There’s a new narration delivered by Tamsin Greig and the crack forces of the Monteverdi Choir, the ORR and world-class singers, all led by Mark Elder, but the 200-year-old piece remains a strange hyb...

This multifaceted and intensely personal homage to – and collaboration with – composer Philip Glass is a transcendent tapestry suffused with joy and wonder.

Soprano Clare Booth, Ryan Wigglesworth and the BBC Scottish gave the world premiere of Dean’s theatrical and engaging The World’s Wife. Elgar’s 1st didn’t quite achieve lift-off but Weir’s Moon and St...

Lucas and Arthur Jussen brought fun and energy to Poulenc’s Concerto for Two Pianos, and John Adams’ Harmonium was monumental and moving in the City of Birmingham Orchestra and Chorus’ Prom under thei...

A programme – Bach, Beethoven and a Jessie Montgomery premiere – that looked odd on paper made perfect sense in the hall, with Abel Selaocoe a mesmerising soloist in Montgomery’s ‘These Righteous Path...

Outgoing chief conductor David Afkham brought Spanish repertoire, castanets and a certain team’s football scarf in a programme heavy with national treasures

From Copland to Gershwin and a new Emily Dickinson-based commission it was America’s evening – but with a surprise Mancunian encore

Olivia Fuchs’ delirious spin on the baroque opera comes with TV trickery, more hearts than a cardiologist convention and absolutely gorgeous singing

Francesca Caccini’s 1625 work – the earliest surviving opera by a woman – is wildly imaginative, even without the original horse ballet

Floréz may have taken a couple of revivals off, but now the Peruvian tenor is back to reclaim the role

“WHEN I GET SAD, I sing. If I’m angry, I sing. Music is a safe space – it’s where I feel seen, heard, loved. It’s the space where my heart is most open, where

Adams’ maximal minimalism was framed by Copland’s Fanfare for the Common Man and Joan Tower’s parallel feminist statement, with Florence Price’s The Heart of A Woman adding a Broadway flourish

Covent Garden hat nach langer Zeit erstmals wieder I puritani im Programm. Kernaussage von Regisseur Richard Jones scheint dabei zu sein: Krieg ist universell. Aber reicht das, um die Oper zu tragen? ...

The chorus were outstanding

Marking the 50th anniversary of the Soweto uprising, a stirring programme culminated with Leon Bosch’s double bass sounding a fragile note of hope

In this London recital the Russian singer moved from Rachmaninov to Mozart and Strauss to Charpentier, showcasing in all her voice’s full range of plush, dark beauty and endless legato

Raed our review of Pelléas et Mélisande at Snape Maltings, Suffolk: elegantly ambiguous, deeply atmospheric concert staging of Debussy’s only opera

Ryan Wigglesworth’s piano concerto, veering between tense, creepy and off-kilter, brought out the best in soloist Steven Osborne

Tom Morris’s staged take on Mahler’s first symphony is valiantly performed by Stephanie Childress and Sinfonia Smith Square, but the result feels more like R&D than a finished product

The musician first visited Aldeburgh as a teenage fanboy. Now, he is at the centre of this year’s festival as its featured artist – and he’s opening with his favourite opera

Read our review of RBO/SHIFT at the Royal Opera House, London: four-day festival explores the future of the arts in the age of AI

A clever programme brought a mounting sense of lost grip, from Errollyn Wallen voicing the shame of Hamlet’s Ophelia, to Schumann’s fraught love declaration, and Peter Maxwell Davies’s Eight Songs for...

Because there’s no development, only loops, there’s always the tantalising possibility that it might soon end. But it never does.

The US singer Thomas Hampson paired with accordionist Ksenija Sidorova to perform highlights from Schubert’s Winterreise alongside Weill and Piazzolla. Alas much of this disappointing evening felt lik...

If you’ve ever strolled to the Wallace Collection or hurried to an appointment in Harley Street, fled an overcrowded Selfridges or sat on a sunny bench in Cavendish Square Gardens, you’ll probably hav...

The Monteverdi Choir’s account of Purcell’s opera was delivered with devastating clarity, but it was somewhat smothered beneath a 200ft ship’s hull

Mutter’s anniversary tour opened with a programme of Beethoven, André Previn and – ever a champion of new music – the European premiere of Aftab Darvishi’s Likoo, a rhapsodic lament for women under th...

Combining words devised for Shakespeare’s female characters with music from composers old and new this was a Bardic treat with teeth

This ambitious and imaginative concert experience blended live and filmed performance. Not all its experiments felt successful, but at its best this was mesmerising

The four siblings start with Webern before ditching traditional instruments for mics, voices, percussion and oud