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@aldebrn.me
111 followers 687 following 630 posts

“Humans are weird. I try, really I do, to get you guys. But I’ve got golden-age tech from a half dozen civilizations on this station, and y’all burned them down rather than just relax and enjoy it.” —Argus, *Kitty Cat Kill Sat*

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22° @aldebrn.me · 07/10/2026
Oh you did not just abbreviate "Jaguar God of the Underworld" as "JGU" archive.org/details/bloo... "The blood of kings: dynasty and ritual in Maya art" by famed Mayanists Drs Linda Schele & Mary Ellen Miller
A paragraph of text and then Figure 35:

"GIll as the Jaguar God of the Underworld" [GIII is "God 3", the second of the Triad Brothers)

'The facial structure of the Jaguar God of the Underworld is identical to that of GI, but his features are different (Fig. 35). He has the same Roman nose, scalloped eyebrows, square eyes and pointed front tooth, and he often wears a shell beard. Sometimes his eye squints like that of the Sun God; usually, however, it is a spiral like that of GI. On the Jaguar God of the Under-world, the curl extends upward from the lower lid rather than downward from the upper lid, as on GI.

'His hair is pulled into a bound knot above the forehead; he has a jaguar ear above his earflare and, most characteristic of all, he has a twisted device, called a "cruller" (named for the pastry, placed between and under his eyes. Kings wore this cruller when they impersonated GIll.

'The Jaguar God of the Underworld rules the number 7. Since he is the most common image on shields, he is thought to be a patron of war. He rarely appears as an actor in narrative scenes but he is the most frequent main head represented on Late Classic incensarios. He probably represents the sun when it is in the Underworld.'

Figure 35 shows line drawings of Maya glyph heads arranged in three pairs. The first pair has a labeled profile of GIII as the Jaguar God of the Underworld ("JGU") beside a frontal, symmetrical version of him as a war shield. The shield face stares straight out with square eyes and a bared, fanged mouth, and feathers fan from its four corners. The overall effect is a stern, guarding presence. The other two pairs put GI next to GIII, then GI next to the JGU, as Maya glyphs. The heads sit in tight, rounded blocks packed with scrolls, curls and spiral eyes, so their shared features and small differences stand out side by side. They're all unified but slightly different to my untrained eye.
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22° @aldebrn.me · 04/10/2026
Merle Greene Robertson has a bunch of her rubbings of Maya sculpture in two PDFs here and omg these skulls are breathtaking www.precolumbia.org/pari/rubbing...
Rubbing ID: D15308, Great Ballcourt at Chichen Itza, showing a large disc with skeletal face figure in profile, in it. It's facing left, wearing an elaborate headdress (it's giving mohawk), it's mouth (all teeth) open and a speech bubble coming out of it. Around the disc are other various abstract-looking patterns that I can't distinguish.Rubbing ID: D15323, Merle Greene Robertson's rubbing of the Great Ballcourt at Chichen Itza. There are many shapes and patterns in the rubbing but near the bottom is a huge disc in the middle of this is a skull figure adorned with an elaborate headdress, facing right. It's not quite a skull: it has eye brows and a nose, but it's eye socket and teeth are very skull-like. Its mouth is open, a typical Maya speech bubble (looking like vines) coming out.
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22° @aldebrn.me · 02/10/2026
I LITERALLY CANNOT with how beautiful each and every Maya syllable and logogram is! Via the delightful www.mayaarchaeologist.co.uk/school-resou... I want literally each of these to be tattooed to my arm where I can admire it forever, each is so cool and precious and electrifying.
A 5 by 5 grid of vowels running across the top (a, e, i, o, and u) and consonants down (j, k, k', l, and m), and each cell containing 1-3 renderings of the syllable in Maya.

Each is breathtaking.

Ke is a hand with four fingers curled and the thumb pointing, like a right-hand-rule kind of thing (except it's a left hand).

Ko has two examples, both are long wide ovals but one has two little dots at either end and cross-hatched middle, while the other is a grid of squares that look like teeth in the cringe 😬 emoji.

Some like Ka have a simple example like a tall "C" shape with cross-hatching inside *and* a highly anthropomorphized (to me) face looking glum.

Given the examples are all tracings likely taken from various media (stone, reed, ceramic), there's a lot of diversity of just visual style here.
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22° @aldebrn.me · 02/10/2026
Oh I cannot with how beautiful Maya script is. Each character is a painting, on stone, on pottery, or in a book. These jaguars are making my soul sing looking at them All from mayaglyphs.org/CWLhtml/BAHL... which collects the various looks of this character pronounced "bahlam", meaning "jaguar" 🐆🐆
A grid of twenty black-and-white drawings of the Maya hieroglyph for "jaguar". Most are a jaguar's head in profile, facing left, squeezed into a rounded square, usually with a spotted pelt, a curled ear at the top right, and an open, toothy mouth.

The variety is the delight: some are drawn in a few delicate lines, others are dense with crosshatched spots and curls, and one is a near-solid black silhouette with a single wide eye. One isn't just a head but a whole jaguar sprawled on its back, three paws in the air. The last image isn't a jaguar at all: two tall, plain cartouches that spell the word out phonetically, like a pronunciation guide.
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22° @aldebrn.me · 02/10/2026
What a sight it must have been to behold, a city of Plains Indian dog and their humans, traveling across the plains 🤩! (I love revisiting Barnhart's lectures every few months when New World art seizes me. Currently working thru his paper on the Maya Dresden Codex, which is amazingly beautiful.)
Screenshot of several paragraphs:

if we go further south into the Great Plains, we see another instance in which dogs were employed as beasts of burden or pack animals.

The ancient nomadic buffalo hunters there invented what we call a travois. It was a cargo carrying device that could be strapped to the back of a dog. The construction was simple, just two long poles with a cargo net in between.

The poles crossed at the dog's shoulders, secured to their chests by leather straps. Then they fanned out in a rectangular shape kept apart by a cross piece with their tips dragging on the ground behind the dog. The dogs of the now extinct Plains Indian dog breed weighed about 40 or 50 pounds and could easily carry at least their own weight.

In 1541, the Coronado expedition made their way out of New Mexico into the Great Plains and were the first Europeans to see these dogs in action. They described the nomad communities as mobile cities, hundreds of people accompanied by thousands of dogs. They said that each family had 20 to 40 dogs each.

European settlers and then later anthropologists reported the same up until the 1800s. That's when we intentionally murdered all the buffalo to destroy the nomadic hunters way of life. The dogs hauled their mobile villages from camp to camp, and the Travoy poles were actually the frames for their teepees.

Pretty smart. By the way, the natives called the Spaniards' horses power dogs at first. But their dogs also had many other important roles.
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22° @aldebrn.me · 17/09/2026
How did The Other Wind not spark the creation of a major religion? “When I die, I can breathe back the breath that made me live. … That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.”
“I think,” Tehanu said in her soft, strange voice, “that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn’t do. All that I might have been and couldn’t be. All the choices I didn’t make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven’t been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.”
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22° @aldebrn.me · 12/09/2026
From Le Guin’s afterword to Tehanu: “I needed to look at heroics from outside and underneath … Women, kids, the poor, the old, the powerless. Unheroes, ordinary people—my people. I didn’t want to change Earthsea, but I needed to see what Earthsea looked like to us.” 35 years later, still an opus 🔥
“Where’s the guy with the shining staff? Who’s going to do the big magic? A little girl? Oh, come on. That’s not a hero tale!“

Then, highlighted:

“I didn’t want it to be. By the time I wrote this book I needed to look at heroics from outside and underneath, from the point of view of the people who are not included. The ones who can’t do magic. The ones who don’t have shining staffs or swords. Women, kids, the poor, the old, the powerless. Unheroes, ordinary people—my people. I didn’t want to change Earthsea, but I needed to see what Earthsea looked like to us.”
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22° @aldebrn.me · 11/09/2026
“Dragons are archetypes, yes; mind forms, a way of knowing. … I am not European, I am not Asian, and I am not a man. These are the dragons of a new world, America, and the visionary forms of an old woman’s mind.” —"Earthsea Revisioned" (1992)
“Dragons are archetypes, yes; mind forms, a way of knowing. But these dragons aren’t St. George’s earthy worm, nor are they the emperor of China’s airy servant. I am not European, I am not Asian, and I am not a man. These are the dragons of a new world, America, and the visionary forms of an old woman’s mind.“ (Highlighted)

The text continues: “The mythopoeticists err, I think, in using the archetype as a rigid, filled mold. If we see it only as a vital potentiality, it becomes a guide into mystery.”

*The Books of Earthsea* ("Earthsea Revisioned"), Ursula K. Le Guin, 1992
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22° @aldebrn.me · 09/09/2026
🤯 Mekka wrote this in 2023 ‘People are wasting a lot of time asking "But what if we develop a silicon 'life part' tho? How can we make sure it's aligned with our values and prioritizes our safety? […] Otherwise we might be in danger!" But... we have no alignment with fashy billionaires?’
Dec 02, 2023

People are wasting a lot of time asking "But what if we develop a silicon 'life part' tho? How can we make sure it's aligned with our values and prioritizes our safety? How might we control and limit its access to the 'capabilities part'? Otherwise we might be in danger!"

But... we have no alignment with fashy billionaires, and no controls of their access?🙂🙃
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22° @aldebrn.me · 04/09/2026
"I ❤️ Zoo York" by Ali, 1981 (Photographed by Henry Chalfant and published in *Subway Art* with Martha Cooper (1984) www.nga.gov/artworks/173...) Per www.instagram.com/p/Ceen3XMuFeQ/ this was the only piece Ali did after his terrible accident (see en.wikipedia.org/wiki/Ali_(gr... 💙 Zoo York 💙
A NYC subway car with big block letters, "I (heart symbol) ZOO YORK". The heart is arresting: it appears to be beaming but its right eye is shedding a huge tear and its left eye is on fire and emitting like a stream of flames (Ali was burned in the late 70s in a tunnel fire while bombing, and this was done after that incident)
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22° @aldebrn.me · 28/08/2026
Flashcards for programming (here, Swift), several flashcards for a couple of days in "100 Days of SwiftUI" www.hackingwithswift.com/100/swiftui 🤩
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22° @aldebrn.me · 24/08/2026
Randomly found in Screenshots. What a show, "Legacies". Totally useless trying to search for "shows like Legacies" because the reasons I liked it are so different than what the results presume. I guess in a nutshell, I liked the reverse-harem shōjo stories of "Hope and the boys".
Five people with grim expressions walking down a fancy corridor, led by a white woman and flanked by a Persian man and a Black man, and followed by two Black men. Without spoilers (other than for the first episode), I can reveal that witches, vampires, and werewolves are represented in this group.A stage surrounded by a crowd on which several hip-hop dancers and doing a very cool-looking number
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22° @aldebrn.me · 02/08/2026
Omg it’s so funny yet horribly accurate it hurts
A humorous stack diagram of modern web infrastructure, from the user at the top through cloud services, open-source libraries, and unpaid developers, bottoming out with C programmers writing dynamic arrays—a callback to the classic xkcd titled 'Dependency'. It includes a shark biting an undersea cable, a flying Angy Birds labeled "Microsoft", and AI as a lever steadily tilting everything more and more
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22° @aldebrn.me · 19/07/2026
All these years of blinding my eyes even at the lowest setting and this "Use Dark Appearance for PDF" has been here this whole time?
A screenshot of the Edit menu in macOS' Preview app: "Use Dark Appearance for PDF" above a PDF that's now dark mode (and talking about Byzantium and Leon VI)
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22° @aldebrn.me · 21/06/2026
This crop of Marsala, from ExoSquad episode 5, is remarkable
A very tight shot of the face of Marsala, a blue-skinned Neosapien with three spike-shaped markings on his forehead. The art lines are very thick, giving him a very distinctive look
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22° @aldebrn.me · 15/06/2026
This graphic from Dr Narayanan’s newsletter reminded me of your question www.normaltech.ai/p/why-ai-has... Creating revenue (always?) involves very thick bun slices of Decide and Deliver, and thinning the Execute patty to 5 millimeters doesn‘t make the overall burger any shorter
Traditional: three layers, Decide, Execute, and Deliver labeled as top bun, center patty, and bottom bun of a burger

With AI: these top and bottom buns (Decide and Deliver) have enlarged and the middle patty (Execute) has shrunk considerably but the burger is still the same height
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22° @aldebrn.me · 14/06/2026
Fam playing Black Myth Wukong reminded me of one of my favorite manhuas. Xī Xíng Jì (西行纪, "Westward"), a "sequel" to the classic that is a straight up delight The CG animated series is on YouTube but I loved the comics more: they felt more epically dramatic. The Comic's fansubs are online
"The mad fist of mercy" cover. FIRE. The side profile of a stone-skinned titan with hair of flames and flames erupting from his cheek, mouth, and neck. Incredibly fearsome.Cover: "The flying dragon that shines golden light (2)". A screaming two-horned face with head and beard hair fanning around it in all directions, illuminated by white lightning from one hand and red fire from the other. Incredible colors.A two-page panel: a giant stone gorilla emerges from the water, enraged, screaming, fists ready, stone pillars and waves flying everywhere, as a single small figure in the foreground, in red armor and a billowing red cape and golden spear, dwarfed, stands ready to fightCover: "The graveyard guardian". Red. A mighty three-eyed warrior god in armor, red hair billowing around them, banners streaming around them, kneeling triumphantly on a pile of skulls on the battlefield, holding a mighty red-soaked spear stabbing into the skull-festooned ground.
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22° @aldebrn.me · 08/06/2026
Speaking of weird little things, here's Shimogamo Tōsen lamenting her sons, in "Eccentric Family 2" (also a show I absolutely adore, it and its first season)
A mother turning away from her two young songs in front of the vermilion red of a Japanese shrine, shrugging:

"Weird little Tanuki do get fixated on weird little things."

Her sons just look at her retreating back.
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22° @aldebrn.me · 08/06/2026
This is the third~ time I've begun intensive reading of Kamoshida Hajime's "Just Because!" light novel (I love the show ok) and just got to the memorable scene, 「わけわかんないことするよね、男子」 I'm glossing this as, "Boys do the weirdest things" (since Mio's diction here is so casual and contraction-laden)
Two female students at a window, one holding an eraser and looking outside, saying "Boys do some inexplicable things."
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22° @aldebrn.me · 01/06/2026
Four Kyoto daytime paintings from Uchōten Kazoku 2 (Eccentric Family 2) that I love
The view of the sky that you might get from a sitting position on a Japanese-style verandah, with the roof lip hanging over you and the roof tiles of a wall across the way sandwiching the blue blue sky with a magnificent tree 🌳 and cumulus cloud ☁️ Evening colors fill the sky as we see large buildings and willows and streetlamps onDusk or dawn colors, looking at building tops including a multistory hotel-like buildingAn elaborate Japanese-style house with walls and three stories of varied gate-like roofs under a blue sky with cirrostratus clouds
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22° @aldebrn.me · 31/05/2026
Four nighttime paintings of Kyoto via the delightful Eccentric Family 2 (Uchōten Kahoko 2), a love letter to that peerless city.
Nighttime. Rooftops of an old city, many building shapes and sizes and colors, with a pair of long skywalks running through it, above the covered glass roof of what must be a shopping street (shōtengai). In one corner, a ramen stall with warm inviting lights is visible? But the palette is very claire ligne, very naturalKyoto at night, big buildings along a still-busy bridge crossing the Kamo river, all lit up with bright orange inviting lights. The clouds are still light-colored against a dark-gray sky. This is a lived-in night-time.Nighttime. A grassy plain in the countryside, forests at the edges, mountains in the distance, and a starry moonlit sky, with a few wonderful clouds.Whimsical: a single train car is flying high above Kyoto at night. The city far below is lit up but the mountains that surround it are dark. A few clouds aren’t the train car’s only companions in the sky: it looks like there are a few flying boats aloft too?!
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22° @aldebrn.me · 31/05/2026
It’s early summer now but saving this for next year—springtime sakura overload, in Kyoto, at the iconic Kamo River! Via Eccentric Family 2 (Uchōten Kazoku 2)
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22° @aldebrn.me · 18/05/2026
Dare‘s evisceration is second only to Anna Wiener's excoriating ethnography of the orange site from 2019 www.newyorker.com/news/letter-...
The site’s now characteristic tone of performative erudition—hyperrational, dispassionate, contrarian, authoritative—often masks a deeper recklessness. Ill-advised citations proliferate; thought experiments abound; humane arguments are dismissed as emotional or irrational. Logic, applied narrowly, is used to justify broad moral positions. The most admired arguments are made with data, but the origins, veracity, and malleability of those data tend to be ancillary concerns. The message-board intellectualism that might once have impressed V.C. observers like Graham has developed into an intellectual style all its own. Hacker News readers who visit the site to learn how engineers and entrepreneurs talk, and what they talk about, can find themselves immersed in conversations that resemble the output of duelling Markov bots trained on libertarian economics blogs, “The Tim Ferriss Show,” and the work of Yuval Noah Harari.
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22° @aldebrn.me · 01/05/2026
A total brainwave. When you see all words that use a given kanji, sort those words by frequency (via BCCWJ). A totally different vibe. Here‘s the most frequent words with 気 (which we all know via ”genki”, it’s the “ki”)
気 spirit; mind; heart… (673 per million words)
気持ち feeling; sensation; mood… (281 per million words)
気づく to notice; to realize; to realise… (137 per million words)
病気 illness (usu. excluding minor ailments, e.g. common cold); disease; sickness… (104 per million words)
気分 feeling; mood (85 per million words)
雰囲気 atmosphere; mood; ambience… (69 per million words)
人気 popularity; public favor … (65 per million words)
空気 air; atmosphere… (59 per million words)
元気 lively; full of spirit; energetic… (53 per million words)
一気 one breath (39 per million words)
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22° @aldebrn.me · 13/04/2026
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22° @aldebrn.me · 08/04/2026
I bookmarked @sarahedo.bsky.social’s post from 2022 in a blog post and it hits so much harder in 2026 🤩 nitter.net/sarah_edo/st...
6 Jul 2022
I will never get over the magic of programming: 3 days ago I had an idea, and now I have a useful, functioning app.

Next post:

I’ll be releasing it when I’m done tweaking it. So… never.
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22° @aldebrn.me · 16/02/2026
Wait. This explains a LOT about what art I've stopped vs. started loving— ‘Art that challenges notions of fitness, genetic “purity,” or conformity to gender, intelligence, race, or beauty, and flies directly in the face of dominant systems.’ —Eve Galanis, teachersinstitute.yale.edu/curriculum/u...
'This inquiry will also highlight some of the groups of people that were excluded from the eugenic metrics of artistic or aesthetic merit and the work *they* created. Anti-eugenic art is not made explicit in the same way as eugenic theorization, but it can be anything created to actively resist, subvert, or critique the ideologies and aesthetics of eugenics. Art that challenges notions of fitness, genetic “purity,” or conformity to gender, intelligence, race, or beauty, and flies directly in the face of dominant systems. If eugenics endeavored to aesthetically define a life worth living, anti-eugenics asserts that life is not separate from art-creating. Community, visibility, empathy, diverse methods of expression, and engaging with the whole self, mentally, physically, and spiritually, were part of the answer.'
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22° @aldebrn.me · 11/02/2026
Sunset 🌅 8x
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22° @aldebrn.me · 10/02/2026
Gunsmith Cats (1995) blew me away with the mechanical designs of the guns & cars (what could be more all-American), and how fruitful the location scouting was to result in this lit Chicago, but man I cannot stop thinking about that intro! Right up there with Cowboy Bebop in terms of pure verve
Stylized drawing of a closeup of a woman, wearing a bob cut, aviator sunglasses, and a suit, in front of a rich pastel blue backgroundSame rich blue background but now with another woman, also wearing large aviator glasses reflecting the sky with the same hue and seagulls aloft, in front of a bold thick grid pattern. Her stylized hair and grayscale face oozes styleSherbet orange background and car, with two women in rich shadows sitting inside it, wearing brightly-illuminated aviator glassesGoldenrod yellow background with a super-closeup of a woman's face, smiling, in grayscale, her hair all whoosh
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22° @aldebrn.me · 08/02/2026
And realizing that different animators have different things they did absolutely fantastic on has me looking at things differently. For example, *Crusher Joe* (1983) absolutely loves these highly dynamic race scenes, whether on the road or in space. Look at this sakuga (presumably pre-CG!?)!
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22° @aldebrn.me · 08/02/2026
I TOOK 136 SCREENSHOTS through all 45 episodes of "Twelve Kingdoms"! And interestingly, though there's some great scenery in it, I think in retrospect what the artists did really well in that show was the animal designs. I didn't save any of those so, here's more scenery! Animal designs were 🔥 tho!
A verdant sculpted garden with cherry trees in full 🌸 sakura 🌸 bloom, in front of which a hand is holding an elegant tea cup being filled from a teapotPURPLE. A narrow canyon with an incredible waterfall cascading down three levels of crags, under an orange-setting-sun sky. In a corner, a crisply-built staircase ascends the mountain, with some small figures walking up itAn incredible composition. A skull lies on the charred earth, with a thin sapling growing out of the eye socket, under a bright blue sky through which a mythical creature fliesThe giant setting sun above an ocean, with the classic atmospheric effects that make its edge look wavy. In the far distance, tiny specks indicate a flying army
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22° @aldebrn.me · 08/02/2026
From *Crusher Joe* (1983)
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22° @aldebrn.me · 22/01/2026
Kotono Kato's *Altair* makes *three* superb manga set in Central Asia, all by women mangaka! - Altair: Ottoman~esque kodansha.us/series/altai... - Kaoru Mori's *Bride's Story*: Anatolia–Central Asia yenpress.com/series/a-bri... - Hiromu Arakawa's *Arslan*: Persia~esque kodansha.us/series/the-h...
Cover of Altair volume 10: an art nouveau style depiction of a young fair-haired person fiercely wielding a dagger as flowers, vines, and thorns twirl around them. Art nouveau as in, organic lines, floral and intricateCover of A Bide's Story volume 2. A young woman wearing richly-embroidered clothing, including a headband, jacket, skirt, pants, and boots, stands proudly holding a goat slung across her shoulders, holding a bow, in front of a distant mountain range. Her outfit's reds, blacks, and whites contrast dazzlingly against the brown animal, bow, and backgroundCover of The Heroic Legend of Arslan vol 7. A young pirate wielding a sword and smiling mischievously. The colors are muted pastels: a blue head wrap, orange jacket and pants and boots, olive-green sash
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22° @aldebrn.me · 20/01/2026
Escaflowne is such a love letter to geographies. Coastal Japanese towns. Medieval forest towns. Bustling trading cities on the coast. Tropical cities surrounded by rice paddies. It's also a paean to sunrises and sunsets. An endless Ghibli-grade parade of skyscapes
A girl looks over her shoulder at an enormous sword-wielding knight machine, its cape and dust billowing around it, standing in front of an enormous setting sun in an orange-lit skyAnother sunset, the sky a spiral of pink clouds above orange and red skies. The ocean catches the light and the coastal mountains and town are baked red. In a nearby track and field racetrack, a figure sprints towards another standing still, facing the firstDawn. A cold white sun rises into a pastel purple sky above a ring of pastel purple mountains that crash down into a blain. A large beast of burden flanked by two humans walking approach us, away from the sunWater-filled rice-paddies ®effect the sky and flying machines aloft
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22° @aldebrn.me · 13/01/2026
Tell me this doesn’t look like a cozy MagicaVoxel dream tower that you want to nibble on! Nope, it’s a real building in Chicago! highrises.hythacg.com/building/mat...
The pencil-point top of a skyscraper: an octagonal slice of warm orange brick on the bottom, a three-tier white section with what looks like turrets or rockets at each corner, topped by a rich reddish-brown topper narrowing to a a crown. It’s lit from the left, and its warm, distinct richness contrasts with the dull orange of the background sky in that same way that cozy MagicaVoxel-style 3D voxel art does
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22° @aldebrn.me · 12/01/2026
This. Is. An actual building. In New York. Called the General Electric Building. 🤯🤯🤯 the mind fails. Via Chris Hytha's brilliant drone-based floor-by-floor composite orthographic image highrises.hythacg.com/building/gen... in a collection of dozens of similarly jaw-dropping Art Deco high-rise tops
A surreal, close-up view of the General Electric Building’s Art Deco crown, highlighting a rich contrast of warm terracotta stone, vivid teal spires, and electric gold filigree. An intricate, gilded pattern of curves traces through the structure, symbolizing radio waves and lightning. At the center emerges a stylized face figure, crowned by a metallic starburst and wearing stylized Art Deco robes. Intricate, jagged, and colorful, a dreamlike specter against a bland grey-blue sky.
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22° @aldebrn.me · 11/01/2026
I am at a loss. I bought and devoured all the following Milestone Returns comics in 24 hours and am in withdrawal. So so so good - Static Shock Season 1 - Icon & Rocket Season 1 - Duo - Hardware Season 1 - Icon vs Hardware - Blood Syndicate Season 1 Eagerly awaiting more electrifying stories
A page of Static Shock. Static, a Black youth with short, thick locs and in hero attire, is talking to his buddy Richie, a blond white kid with a mask on, against a plain bright crimson background. They're exchanging buddy banter, "Is this the part where i mention we found the servers?" "You're my best friend and I love you." "Back atcha."

A disembodied voice asks, "Are you going to reveal some sort of deus ex machina or are you done posturing?"

The background turns from blood crimson to electric white, the lines turn spectral as Static energizes, saying "No last-minute magical weapon, no. Why would I need that? I AM the god in the machine!"A single full-page panel of Icon & Rocket. Icon, a Black man with the physique of an Olympian god, emerges from a burning house, hair and clothes aflame like a human torch, holding aloft the severed head of a white man with a goatee. "In his hand, he held the severed head of Jefferson Davis, president of the Confederacy. In his heart, he was not a killer. But he wanted to send a message to the world." The total-flame-orange palette and the gruesome imagery make a megaphone-loud message.A variant cover featuring a photorealistic Rocket, a young Black woman in a hero outfit of black and blue leather, smiling with brightly-glowing purple eyes, with bright purple tentacles streaming behind her head, holding a red helmet and a scrap of green linen. Surreal, creepy, electrifying.A cover of Blood Syndicate. Hannibal, a muscled Black man with locs and a beard, is smiling evilly and beckoning as he sits on a simple throne in the dark, the scene lit with a halo of burning flame around his head. His strength and power are palpable, and the "Blood" in the title has splatter.
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22° @aldebrn.me · 02/01/2026
Here's the face I'm taking into 2026. Horrified–worried.
Cloud Strife, a pale man with blond hair and green eyes, looks wide-eyed like he's internally horrified but strugglingly keeping it under control. From a cut scene in Final Fantasy VII Remake (when Cloud, Jessie, Wedge, and Biggs are riding motorcycles to Sector 7).
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22° @aldebrn.me · 01/01/2026
Hiroshi Nagai hiroshinagai.com ❤️‍🔥. His "Sunset" series is so California it makes my insides soar! This retrospective on the citypop album art done by him hits me squarely in the demographic 🤩 www.thevinylfactory.com/features/jap...
A rich big purple sky fading into pastel-pink above a lit city and dark mountains in the distance, as seen from a placid purple body of water, in front of which are wildflowers. It's very Bay Area sunset.

© Hiroshi Nagai, "Sunset"
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22° @aldebrn.me · 26/12/2025
Paula Gunn Allen, “Kochinnenako in Academe: Three Approaches to Interpreting a Keres Indian Tale,” North Dakota Quarterly (Spring 1985, pybarra.weebly.com/uploads/6/8/...) (Cited by Barbara Alice Mann in *Iroquois Women*. 🥺)
…such an analysis can provide strategies for ameliorating the effects of patriarchal colonialism, enabling many of the tribes to reclaim their ancient gynarchical, egalitarian, and sacred traditions. (In a system where all persons in power are called mother chief and where the supreme deity is female, and where social organization is matrilocal, matrifocal, and matrilineal, gynarchy is happening. However, it does not imply domination of men by women as patriarchy implies domination by males of all aspects of a society.)
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22° @aldebrn.me · 24/12/2025
My mind liquifying as I learn that a pro-women, anti-rape culture as big and well-documented as the polity & peoples of the Haudenosaunee Confederacy existed, and was aghast at European cultures' complete saturation with misogyny and abuse (Barbara Alice Mann in *Iroquoian Women: The Gantowisas*)
The furor surrounding the use of "squaw" points to the most profound cultural divide between the Haudenosaunee and the Europeans, the meaning of "woman." To Christian Europeans past and present, the connotations of "woman" smack of sexuality, weakness, evil, inferiority. For a man to be called a woman is an insult. To the Iroquois, past and present, "woman" connotes high status. ability, goodness, intelligence

Gantowisas is a coveted designation not restricted to women; traditional men proudly accepted ceremonial appointments as gantowisas. Entire Nations such as the Lenâpé have been "made woman," meaning-as the
Lenâpé explained the position to John Heckewelder in the mid-eighteenth century—that they had been asked to "assume the station of mediators and umpires among their warlike neighbors." Paul Wallace was correct that the word gantowisas "directs attention, not to any supposed frailty in the gentler sex, but to woman's official status in the Iroquois world." Chief Deskaheh held that it meant woman "in the highest sense;" to be called gantowisas, he said, was "a compliment."

These two mindsets could not have been farther apart, and the European-Iroquoian clash of cultures over the definition of womanhood was to have crippling results. European males, not knowing what to make of commanding women—let alone, of men proudly wearing their ceremonial skirts and carrying their honorary compounders! introduced a major skew into the written record of Iroquoia. Nonplussed by powerful Haudenosaunee women, the earliest European record-keepers, men all, studiously ignored the gantowisas. Those women who could not be ignored were denigrated as outrages against "nature," ridiculed as "old hags" or "witches" and. whenever possible, disempowered by European men."' Officers of the various invading crowns felt deeply threatened by the ethical challenge that powerful female officials of an egalitarian government offered the male-dominated hierarchies of Europe, while… (clipped)This sketch was wildly-and pejoratively-inaccurate in just about every detail. Haudenosaunee men did not have multiple wives, although, to be sure, Seneca women might take more than one husband at their pleasure. In addition, the lodge in question would have belonged to the longhouse Clan Mother, not any man. Then again, Parkman's presentation of all Native men as "warriors" was militaristic jingoism, part of the nineteenth-century projection of the warlike disposition of the Europeans onto the Native Americans. In fact, Haudenosaunee men's important socia] roles existed outside of warfare, with their careers in war occurring as the earliest and lowest step of their social and political advancement

Furthermore, Haudenosaunee men would never have dreamed of beating their wives. They were appalled by this European custom and intervened on behalf of abused settler women whenever they dared. Mary Jemison (1742-1833), the famed Seneca adoptee, recalled that her second husband, the Seneca Hiokatoo, "exasperated at the sight of so much inhumanity" when he saw a settler violently beating his wife, stepped in and threatened the man with his tomahawk, forcing him to desist.4 The large number of female adoptees who, like Jemison, flatly refused to return to "civilization" made their choice in no small measure due to the safe, secure, and gentle lives they led with their Native husbands.

Most importantly of all, Haudenosaunee men never, ever raped, contrary to Parkman's snide insinuation of a quid pro quo deal: "I won't beat you as long as you spread your legs for me." The no-rape policy of the Haudenosaunee is well documented, and was even in Parkman's time James Fenimore Cooper learned as much from John Heckewelder, and emphasized it in his popular Leather-Stocking Tales; the suffragettes knew as much, and publicized it in their critique of Christian European sexism, and modern historians are also perfectly aware of the fact. 4l

The moral slap that Europe felt … (clipped)
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22° @aldebrn.me · 24/12/2025
He claimed it was "impossible" for a customer to ask for higher prices+slower delivery, when, now *and* back in 2012, I was asking for just that: slower greener delivery, higher prices for more sustainable products. We canceled Prime & haven't missed it. I am more than happy to paying for shipping.
[I]n our retail business, we know that customers want low prices, and I know that’s going to be true 10 years from now. They want fast delivery; they want vast selection. It’s impossible to imagine a future 10 years from now where a customer comes up and says, “Jeff, I love Amazon; I just wish the prices were a little higher.” “I love Amazon; I just wish you’d deliver a little more slowly.” Impossible.
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22° @aldebrn.me · 24/12/2025
The Boeing 787 has a much better-designed ventilation system that can’t vent jet engine exhaust into the cabin per www.wsj.com/business/air... but alas, it too had terrible CO2 concentration. Unless the plane disinfects cabin air (or you wore skin-tight N95), everyone was breathing everyone’s germs.
Screenshot of Aranet Home app showing carbon dioxide concentration from 3am to 3pm as very high, between 1400 parts per million and 1700 parts per million. Before and after that plateau, it’s low (~700 before and ~500 after, which is fine)
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22° @aldebrn.me · 21/12/2025
I couldn't find a software-only version of the CharaCorder X USB dongle so I threw this together, just to see what it felt like. It's sort of like T9 predictive text plus steno-like macro-chording? It could be a lot better than this, and, I sort of like it?
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22° @aldebrn.me · 17/12/2025
I am also a huge fan of the Welchmans' followup animated film *The Peasants* in a similar style, where the animation's keyframes are hand-painted and incredible I'm not as familiar with the Young Poland school of painting as I wish but I did notice the film's homages to some of its greatest works 🤩
A painting of the dark inside of a small wooden house. A woman sits working at a table, lit by a window, and her reflection is caught by a mirror. The light streams into a neighboring room, which you can see through an open door.A painting of two distraught women outside on a farmA painting of a small river cutting through golden fields, with a warm blue sky above containing flying geese and puffy cloudsA painting of a woman sitting outdoors looking at an egret at sunset, the sky afire with dramatic clouds
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22° @aldebrn.me · 10/12/2025
*Loving Vincent* from 2017 left me speechless. Every frame is an impressionist oil painting. Literally a moving painting. An absolute delight.
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22° @aldebrn.me · 10/12/2025
*Nobody* was amazing, a moving painting in many scenes!
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22° @aldebrn.me · 05/12/2025
Another model of positive masculinity
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22° @aldebrn.me · 05/12/2025
Reposting one of my models of positive masculinity
2018 post from @DrSoxion:

Someone: "is EVERYTHING toxic masculinity? What's an example of masculinity that ISN'T toxic?"

Me:

Photo of Sig Curtis and Major Alex Louis Armstrong, two muscle-bound men from Fullmetal Alchemist anime, shaking hands
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22° @aldebrn.me · 21/11/2025
Moss Roberts saying “there’s no daily life or domesticity in Romance of the Three Kingdoms” sent me to a list of other genres like chuanqi (short stories) and this collection, “Tang Dynasty Tales: a guided reader, vol. 2” is so my jam—footnotes like a string of jade! books.apple.com/us/book/tang...
(The Tale of the Supernatural Marriage at Dongting)

by Li Chaowei translated by Meghan Cai

During the Yifeng  reign (676–679), there was a scholar, Liu Yi , who failed the imperial examination and was going to return to the shores of the Xiang [River]. He remembered that there was a native of his township who was sojourning in Jingyang [County], and so he went there to bid him farewell. When he had gone six or seven li [two or three miles] a bird flew up and frightened his horse, which galloped off to the left of the road. Only after another six or seven li did it stop.”

There are nine footnotes in this segment! There are also original Chinese characters for several proper names (embedded as images 😒)
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