Andrew Brewerton @ajbrewerton.bsky.social · 5hFisherman, working the shallows of the Kamo River, Kyoto 020
Andrew Brewerton @ajbrewerton.bsky.social · 09/10/2026Praying Mantis, Tenodera aridifolia. At the Shinto gate, Yakuriki-daimyojin Shrine, Kyoto 030
Andrew Brewerton @ajbrewerton.bsky.social · 08/10/2026Further reflections at Ryozen Gokoku Shrine, Kyoto 040
Andrew Brewerton @ajbrewerton.bsky.social · 08/10/2026Weed-clearing with giant chopsticks on Kyoto-chi Pond, Ryoan-ji, Kyoto 030
Andrew Brewerton @ajbrewerton.bsky.social · 08/10/2026Rock Garden earth wall, clay mixed with rapeseed oil (abura-dobei). Date uncertain, but thought around 1500. 040
Andrew Brewerton @ajbrewerton.bsky.social · 03/10/2026Thatched reed eaves, entrance arch at Hōnin-ji, Kyoto. 0100
Andrew Brewerton @ajbrewerton.bsky.social · 03/10/2026Purifying waters of the White Sand terrace at the Hōnin-ji, Pure Land Buddhist temple, Kyoto 0140
Andrew Brewerton @ajbrewerton.bsky.social · 02/10/2026Great Egret, Ardea alba. Above the Lake Biwa canal, Kyoto 070
Andrew Brewerton @ajbrewerton.bsky.social · 30/09/2026Japanese black pine, Pinus thunbergii, against a white sand dry garden (karesansui) at Ginkaku-ji Temple, Kyoto. 0100
Andrew Brewerton @ajbrewerton.bsky.social · 30/09/2026Golden orb weaver, Nephila pilipes. At the Hachi-jinja Shinto Shrine, Kyoto. Heian era, c.806 CE. 061
Andrew Brewerton @ajbrewerton.bsky.social · 28/09/2026Hokusai’s thirty-seventh ‘View of Mount Fuji’: #37 – ‘From the bullet train.’ (2026) 060
Andrew Brewerton @ajbrewerton.bsky.social · 27/09/2026Grey Heron, Ardea cinerea. Japanese Aosagi, or Blue Heron. At the old moat of the Edo Castle, Imperial Palace gardens, Tokyo. 041
Andrew Brewerton @ajbrewerton.bsky.social · 27/09/2026Apricot orchard. Imperial Palace Gardens, Tokyo. 040
Andrew Brewerton @ajbrewerton.bsky.social · 15/09/2026Sulfur Tuft, Hypholoma fasciculare. In the garden. 040
Andrew Brewerton @ajbrewerton.bsky.social · 10/09/2026I love too the typewriter studies Anni Albers made at Black Mountain College c.1940 “These varied experiments in articulation are to be understood not as an end in themselves but merely as a help to us in gaining new terms in the vocabulary of tactile language.” Anni Albers, On Weaving (1965) p.64 1101
Andrew Brewerton @ajbrewerton.bsky.social · 09/09/2026www.estorickcollection.com/exhibitions/... www.estorickcollection.com/shop/breakin...estorickcollection.com Breaking Lines - Estorick Collection 131
