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Adrian Chills

@adrianchills.bsky.social
1.4K followers 4 following 86 posts

Short horror stories written for Bluesky directly inspired by the Guardian columns of Adrian Chiles. Created by @scsheil.bsky.social

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Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 30/09/2026
#85: Drama
A screenshot of a Guardian headline by Adrian Chiles. It reads 'I have a new favourite medical drama - and now I want to have a nasty accident in Pittsburgh'.

(Alt-text for next image)
  The first of my Dramas took place ten years ago. Looking back now it was a very rudimentary piece barely worthy of the name, best remembered now as the progenitor of all my subsequent works. I was cycling home from work on a rainy Friday evening, my mind dull and slumberous from the crushing mundanity of my job, my future stretching out in front of me like the road - arrow straight, filled with traffic, a route that screamed monotony. As my front wheel hit a discarded beer bottle and I felt a momentary loss of control, an idea sparked to life within me like a flame being ignited; a way to break the tedium. 
The next piece of debris that appeared in the road - a broken-off shard of car fender - was something I aimed for rather than attempted to avoid. As I hit the piece and felt the bike shift beneath me, launching me into space, I caught a glimpse of a bus beside me, the open mouth of a young woman passenger seeing me begin to fall. My adrenalin spiked. For a moment I felt like the centre of the world.
Then I hit the road, bounced against the curb, narrowly avoided having my head be crushed by the back wheels of the same bus. As I lay there, staring up at the concerned faces looking down at me, with the sound of the ambulance in the distance, I felt more joy than I had in a decade. I had found my calling.
(Continued on next alt-text)(Continued from previous alt-text)
It took three months to recover - two broken ribs and a badly bruised hip - but I spent that time planning my next Drama. I wanted somewhere picturesque, somewhere crowded, somewhere that would add to the mise en scene I was creating. Finally I settled on Paris. 
It was near the Arc de Triomphe that I set my stage. Mindful of the danger - I have no death wish - I carefully bided my time before steering my bicycle into the path of a battered old Renault 6 - chosen for its nostalgia value - and found myself catapulted through the crisp Paris air to land on the tarmac. Mid-somersault I glimpsed the shocked face of a man and his dachshund observing me, and felt that familiar tingle of pleasure.
Since then, I have staged dramas across Europe. Prague, Berlin, Barcelona, Budapest, Stockholm, Turin, Brussels. Each location chosen for both their aesthetic appeal and the high rating of their nearest hospitals (quick and effective treatment is key to a swift recovery - and I have so many other places where I wish to perform.)
As an experienced artist, I try to vary the site of injury, taking inspiration from accidents I am able to view online (TikTok is very good for this). I know I can’t go on forever, but I still have some ambition.
To this end, I am planning my greatest Drama - a head-on collision outside the Andy Warhol Museum in Pittsburgh. (I’m assured by reviews online that Pennsylvania hospitals are excellent with head trauma.)
I can’t wait to be launched into the air once more, feel the thrill of seeing those faces as I fall.
1105
Adrian Chills @adrianchills.bsky.social · 30/09/2026
#85: Drama
A screenshot of a Guardian headline by Adrian Chiles. It reads 'I have a new favourite medical drama - and now I want to have a nasty accident in Pittsburgh'.

(Alt-text for next image)
  The first of my Dramas took place ten years ago. Looking back now it was a very rudimentary piece barely worthy of the name, best remembered now as the progenitor of all my subsequent works. I was cycling home from work on a rainy Friday evening, my mind dull and slumberous from the crushing mundanity of my job, my future stretching out in front of me like the road - arrow straight, filled with traffic, a route that screamed monotony. As my front wheel hit a discarded beer bottle and I felt a momentary loss of control, an idea sparked to life within me like a flame being ignited; a way to break the tedium. 
The next piece of debris that appeared in the road - a broken-off shard of car fender - was something I aimed for rather than attempted to avoid. As I hit the piece and felt the bike shift beneath me, launching me into space, I caught a glimpse of a bus beside me, the open mouth of a young woman passenger seeing me begin to fall. My adrenalin spiked. For a moment I felt like the centre of the world.
Then I hit the road, bounced against the curb, narrowly avoided having my head be crushed by the back wheels of the same bus. As I lay there, staring up at the concerned faces looking down at me, with the sound of the ambulance in the distance, I felt more joy than I had in a decade. I had found my calling.
(Continued on next alt-text)(Continued from previous alt-text)
It took three months to recover - two broken ribs and a badly bruised hip - but I spent that time planning my next Drama. I wanted somewhere picturesque, somewhere crowded, somewhere that would add to the mise en scene I was creating. Finally I settled on Paris. 
It was near the Arc de Triomphe that I set my stage. Mindful of the danger - I have no death wish - I carefully bided my time before steering my bicycle into the path of a battered old Renault 6 - chosen for its nostalgia value - and found myself catapulted through the crisp Paris air to land on the tarmac. Mid-somersault I glimpsed the shocked face of a man and his dachshund observing me, and felt that familiar tingle of pleasure.
Since then, I have staged dramas across Europe. Prague, Berlin, Barcelona, Budapest, Stockholm, Turin, Brussels. Each location chosen for both their aesthetic appeal and the high rating of their nearest hospitals (quick and effective treatment is key to a swift recovery - and I have so many other places where I wish to perform.)
As an experienced artist, I try to vary the site of injury, taking inspiration from accidents I am able to view online (TikTok is very good for this). I know I can’t go on forever, but I still have some ambition.
To this end, I am planning my greatest Drama - a head-on collision outside the Andy Warhol Museum in Pittsburgh. (I’m assured by reviews online that Pennsylvania hospitals are excellent with head trauma.)
I can’t wait to be launched into the air once more, feel the thrill of seeing those faces as I fall.
1105
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 24/09/2026
#84: Chard
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads "I'm an avid fan of chard - but you can have too much of a good thing"

(Alt-text for next image)
We had been four weeks in the Downlands, myself and Brom. Four weeks on foot through valleys and dales, cross meandering streams and fast-running rivers; four weeks living off the few small creatures that Brom managed to catch - barely enough to keep a dog alive, let alone a dog and man. Thankfully, we had encountered no further Remnants, but we had seen no other Living either and I had begun to think that we two might be the last left alive in this region.
Finally, at the point where hunger had begun to feel like an ever-present companion for us both, we came across a small cottage by a wood. Deserted, near derelict inside, it held little prospect as a camp until I pushed aside the cracked back door and found myself looking at a wondrously overgrown vegetable garden. Chard leaves, almost reaching to my own height, filled the wide beds, and I, desperate for something other than toasted squirrel meat - and simultaneously heedless of the suspicious twitchings of Brom’s wet nose - grabbed handfuls of the stuff and began eating.
(Continued in next alt-text)(Continued from previous alt-text)
The taste was glorious - earthy, full, with a tinge of bitterness - everything my deprived body had craved. And the supply appeared boundless. Despite Brom’s clear reservations, I decided to make the cottage our temporary home.
The years of wandering through The Scorched Country and The Flesheries - all that Brom and I had seen, and fled from and fought - should have given me more pause, I know that now, especially considering what horrors we had encountered, all spawned from The Great Blast. But the taste - ah, the taste of those leaves was so beguiling, so moreish…
Over the course of a week, during which I ate only the leaves - with poor Brom left to scavenge for whatever small prey he could find in our vicinity - I found myself becoming increasingly torpid and indolent. My skin took on a glistening appearance, as though sticky wet. At the same time I found my limbs growing weak, almost seeming to recede back into my body. I began to wonder who had made this garden, and where they were now?
Then one night the answer came. Crawling out into the garden almost on my belly, desperate for another leaf or two, I spied through the thick stems, a pair of stalked eyes staring back at me. Parting the stems with my wizened hand I saw him - what once had been a man, now something other; a creature resembling some kind of slug-human hybrid. His lipless, wet mouth opened in soundless greeting. I went to reply and found my own voice vanished.
Then teeth grabbed my trousers and I felt myself getting pulled away, back through the house, out through the front door, back through fields away from the cottage - away to safety.
With a weak hand I scritched Brom’s head. My saviour. My friend.
“Good boy,” I said, my voice now returning, “Good, good boy.”
Brom’s eyes spoke of love. And not a little reproach.
13413
Adrian Chills @adrianchills.bsky.social · 24/09/2026
#84: Chard
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads "I'm an avid fan of chard - but you can have too much of a good thing"

(Alt-text for next image)
We had been four weeks in the Downlands, myself and Brom. Four weeks on foot through valleys and dales, cross meandering streams and fast-running rivers; four weeks living off the few small creatures that Brom managed to catch - barely enough to keep a dog alive, let alone a dog and man. Thankfully, we had encountered no further Remnants, but we had seen no other Living either and I had begun to think that we two might be the last left alive in this region.
Finally, at the point where hunger had begun to feel like an ever-present companion for us both, we came across a small cottage by a wood. Deserted, near derelict inside, it held little prospect as a camp until I pushed aside the cracked back door and found myself looking at a wondrously overgrown vegetable garden. Chard leaves, almost reaching to my own height, filled the wide beds, and I, desperate for something other than toasted squirrel meat - and simultaneously heedless of the suspicious twitchings of Brom’s wet nose - grabbed handfuls of the stuff and began eating.
(Continued in next alt-text)(Continued from previous alt-text)
The taste was glorious - earthy, full, with a tinge of bitterness - everything my deprived body had craved. And the supply appeared boundless. Despite Brom’s clear reservations, I decided to make the cottage our temporary home.
The years of wandering through The Scorched Country and The Flesheries - all that Brom and I had seen, and fled from and fought - should have given me more pause, I know that now, especially considering what horrors we had encountered, all spawned from The Great Blast. But the taste - ah, the taste of those leaves was so beguiling, so moreish…
Over the course of a week, during which I ate only the leaves - with poor Brom left to scavenge for whatever small prey he could find in our vicinity - I found myself becoming increasingly torpid and indolent. My skin took on a glistening appearance, as though sticky wet. At the same time I found my limbs growing weak, almost seeming to recede back into my body. I began to wonder who had made this garden, and where they were now?
Then one night the answer came. Crawling out into the garden almost on my belly, desperate for another leaf or two, I spied through the thick stems, a pair of stalked eyes staring back at me. Parting the stems with my wizened hand I saw him - what once had been a man, now something other; a creature resembling some kind of slug-human hybrid. His lipless, wet mouth opened in soundless greeting. I went to reply and found my own voice vanished.
Then teeth grabbed my trousers and I felt myself getting pulled away, back through the house, out through the front door, back through fields away from the cottage - away to safety.
With a weak hand I scritched Brom’s head. My saviour. My friend.
“Good boy,” I said, my voice now returning, “Good, good boy.”
Brom’s eyes spoke of love. And not a little reproach.
13413
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 18/09/2026
#83: Tailbone
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads: "Take good care of your tailbone. I didn't - and my derriere has never been the same since."The Tailybo is fearsome, the Tailybo is cursed
The Tailybo comes out at night to slake his endless thirst
If ever you must venture out be careful where you go 
No man can best the awful beast they call the Tailybo

One night outside our cabin I heard the fateful sound
Of heavy paws approaching us across the frosted ground
My wife and children begged with me not to go outside 
But I could not hear a word they said above my blaring pride 

I took my knife and faced the beast and cut it at the tail 
I took the meat and cooked it; hung the wet pelt on a nail
The tailbone I could not digest, ‘twas far to tough a thing
I made a necklace out of it, hung it on a string 

One night on my returning from a hunting trek
I felt the breath of that same beast about me at the neck
The brute had spied the bone I wore and knew me for its foe
So I set my legs a’running, fast as they would go

I ran back to our cabin and pounded at the door 
Inside I heard my children a’whimpering on the floor 
My wife cried out Just leave us be and damn you for your pride
As I scampered to the window and clambered half inside 

The Tailybo is fearsome the Tailybo is sleek 
The Tailybo he sunk his claws into my buttock cheeks 
Now I can never sit again nor even bend too low
And each night I hear him cry to me Give me back my tailybo!
1227
Adrian Chills @adrianchills.bsky.social · 18/09/2026
#83: Tailbone
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads: "Take good care of your tailbone. I didn't - and my derriere has never been the same since."The Tailybo is fearsome, the Tailybo is cursed
The Tailybo comes out at night to slake his endless thirst
If ever you must venture out be careful where you go 
No man can best the awful beast they call the Tailybo

One night outside our cabin I heard the fateful sound
Of heavy paws approaching us across the frosted ground
My wife and children begged with me not to go outside 
But I could not hear a word they said above my blaring pride 

I took my knife and faced the beast and cut it at the tail 
I took the meat and cooked it; hung the wet pelt on a nail
The tailbone I could not digest, ‘twas far to tough a thing
I made a necklace out of it, hung it on a string 

One night on my returning from a hunting trek
I felt the breath of that same beast about me at the neck
The brute had spied the bone I wore and knew me for its foe
So I set my legs a’running, fast as they would go

I ran back to our cabin and pounded at the door 
Inside I heard my children a’whimpering on the floor 
My wife cried out Just leave us be and damn you for your pride
As I scampered to the window and clambered half inside 

The Tailybo is fearsome the Tailybo is sleek 
The Tailybo he sunk his claws into my buttock cheeks 
Now I can never sit again nor even bend too low
And each night I hear him cry to me Give me back my tailybo!
1227
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 17/09/2026
#82: Location-tracking
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Location-tracking apps have turned me into a gibbering wreck - but I just can't look away'


(Alt-text for next image)
The silence is the worst part. When the dust storms abate and the metal shields which form the walls of our base camp stop resounding with the pock pock pock of wind-blown gravel, all that is left is the quiet hum of the life support system. That, and the sound of my own fevered breaths.
I’ve long given up hope of anyone responding to my distress signal; this planet is too far from the trade paths, not even named on our star-maps.The chances of someone coming to my rescue are infinitesimal at best. If any of the others were still here, we could perhaps together have sought a way to repair our ship, but alone it’s hopeless; I’m no engineer.
(Continued on next image)(Continued from previous alt-text)
So I sit and wait, and listen to the silence. And watch the screens in front of me.
And gibber with terror at what they show.
When we first crash-landed here, thirty-eight cycles ago, we were a crew of four; myself, Landon, Contreras and Masur. We thought the planet uninhabited - the rocky terrain and lack of plant life seemed to indicate a dead world, or at least one that was inimical to sustaining life.
How wrong we were. Seventy-two hours after landing, while Landon worked on attempting to repair our propulsion system, we heard for the first time the sound of movement outside our base camp; scuttling sounds, as though from many legs moving quickly across the rough ground. Then a scream.
Landon.
Visibility is poor on the planet - the nights are weeks long, and the atmosphere above so thick as to block any light from the surrounding moons - so we could not see what was happening to him, even as his cries grew further and further away.
I ran to my screen, saw his location indicator - the signal, as for all of us, broadcast from the tiny bio-chip implanted in his skull - moving rapidly towards a nearby cave formation.
Contreras and Masur acted fast. Instructing me to wait behind, they took their weapons and headed out into the darkness.
I never saw them again. Their location indicators however, kept moving, out there in the night.
When eventually I ventured from the base camp, I found only horror. Landon’s legs, ripped off and scattered in the dust. The whole lower part of Masur’s torso nearby. Of Contreras there was only a ragged, torn foot.
But still, on the screen, they moved.

I watch them even now, for hours at a time. It’s almost a compulsion. I know they are out there, the remnants of Landon, Contreras and Masur, carried by legs that scuttle on the earth, circling the camp, waiting for just this silence.
I will watch them as they come for me. I won’t be able to look away.
0256
Adrian Chills @adrianchills.bsky.social · 17/09/2026
#82: Location-tracking
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Location-tracking apps have turned me into a gibbering wreck - but I just can't look away'


(Alt-text for next image)
The silence is the worst part. When the dust storms abate and the metal shields which form the walls of our base camp stop resounding with the pock pock pock of wind-blown gravel, all that is left is the quiet hum of the life support system. That, and the sound of my own fevered breaths.
I’ve long given up hope of anyone responding to my distress signal; this planet is too far from the trade paths, not even named on our star-maps.The chances of someone coming to my rescue are infinitesimal at best. If any of the others were still here, we could perhaps together have sought a way to repair our ship, but alone it’s hopeless; I’m no engineer.
(Continued on next image)(Continued from previous alt-text)
So I sit and wait, and listen to the silence. And watch the screens in front of me.
And gibber with terror at what they show.
When we first crash-landed here, thirty-eight cycles ago, we were a crew of four; myself, Landon, Contreras and Masur. We thought the planet uninhabited - the rocky terrain and lack of plant life seemed to indicate a dead world, or at least one that was inimical to sustaining life.
How wrong we were. Seventy-two hours after landing, while Landon worked on attempting to repair our propulsion system, we heard for the first time the sound of movement outside our base camp; scuttling sounds, as though from many legs moving quickly across the rough ground. Then a scream.
Landon.
Visibility is poor on the planet - the nights are weeks long, and the atmosphere above so thick as to block any light from the surrounding moons - so we could not see what was happening to him, even as his cries grew further and further away.
I ran to my screen, saw his location indicator - the signal, as for all of us, broadcast from the tiny bio-chip implanted in his skull - moving rapidly towards a nearby cave formation.
Contreras and Masur acted fast. Instructing me to wait behind, they took their weapons and headed out into the darkness.
I never saw them again. Their location indicators however, kept moving, out there in the night.
When eventually I ventured from the base camp, I found only horror. Landon’s legs, ripped off and scattered in the dust. The whole lower part of Masur’s torso nearby. Of Contreras there was only a ragged, torn foot.
But still, on the screen, they moved.

I watch them even now, for hours at a time. It’s almost a compulsion. I know they are out there, the remnants of Landon, Contreras and Masur, carried by legs that scuttle on the earth, circling the camp, waiting for just this silence.
I will watch them as they come for me. I won’t be able to look away.
0256
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 10/09/2026
#81: Driverless
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads "Driverless cars are taking us on a road to nowhere."

(Alt-text for next image)
It was just rotten bad luck, that was all. If I had been a little speedier in cracking Lady Hurlington’s jewellery safe then we may have been making our merry way back down the trellis when she and her brute of a husband returned from their late dinner. As it was, the Colonel caught us rather red-handed and it was only by the swiftness of my reactions that I avoided being run-through by the regimental sword he kept above the fireplace. Poor ‘Blinky’ Blenkinsop, my companion in crime, was not so lucky; the Colonel pierced him right in the breadbasket, with a triumphant cry of ‘Take that, you bounder!’ The pompous oaf’s celebration did however give me the moment’s grace I needed to grab a heavy candlestick from the table and deliver a hefty blow to his muttonchops. While he clattered to the floor and her Ladyship fell into a faint, I managed to drag poor old Blinky down the stairs and out the front door - straight into the midst of the thickest fog London had ever seen.
Blinky was bleeding heavily, claret colouring both his evening dress and mine. Behind us I could hear shouting voices and the whistle of a bobby. I knew I had to act fast.
A black shape drew up beside me. A taxicab. Without thinking, I opened the door and thrust poor Blinky in, then tapped on the cab window. “Piccadilly, driver, and don’t spare the horses”. Before I was even inside the taxicab’s door we were moving.
(Continued on next alt-text)(Continued from previous alt-text)
Spared from the immediate attentions of the constabulary, I set about attending to Blinky. Using my silk scarf, I attempted to plug the wound in his belly. He groaned loudly at my touch.
“Hush now, Blinky,” I told him, “We’ll have you fixed up in no time.”
He just shook his head.
“No,” he moaned, “Deserve all that’s coming. Time to pay the piper.”
“What rot!” I scoffed, “The piper can go hang.” But I knew what he meant.
Our last job, robbing a diamond merchant’s in Hatton Garden had gone badly; a night watchman had surprised us and I, thinking only of our survival, had delivered him a terrible blow to his skull, one from which he had subsequently perished. I know that this was preying on poor Blinky’s mind.
“Be quiet now,” I said to him, “save your strength.”
While he rested, I peered through the taxicab’s window but could see nothing; mere shapes and shadows, insubstantial. At one point I sensed that we were moving over water, though I could think of no bridge that would take us to Piccadilly.
I leaned out of the window, tapped again on the cab.
“Driver?” There came no answer. Unnerved now, I stepped out onto the running plate - the road but a vague blur beneath me, almost like fog itself - and peered through the driver’s window.
No man sat at the wheel. We passengers, myself and Blinky, were the taxicab’s only occupants.
I lifted my head, looked out into the fog. We were no longer in London.
We were, it appeared to me, no longer anywhere at all.
0206
Adrian Chills @adrianchills.bsky.social · 10/09/2026
#81: Driverless
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads "Driverless cars are taking us on a road to nowhere."

(Alt-text for next image)
It was just rotten bad luck, that was all. If I had been a little speedier in cracking Lady Hurlington’s jewellery safe then we may have been making our merry way back down the trellis when she and her brute of a husband returned from their late dinner. As it was, the Colonel caught us rather red-handed and it was only by the swiftness of my reactions that I avoided being run-through by the regimental sword he kept above the fireplace. Poor ‘Blinky’ Blenkinsop, my companion in crime, was not so lucky; the Colonel pierced him right in the breadbasket, with a triumphant cry of ‘Take that, you bounder!’ The pompous oaf’s celebration did however give me the moment’s grace I needed to grab a heavy candlestick from the table and deliver a hefty blow to his muttonchops. While he clattered to the floor and her Ladyship fell into a faint, I managed to drag poor old Blinky down the stairs and out the front door - straight into the midst of the thickest fog London had ever seen.
Blinky was bleeding heavily, claret colouring both his evening dress and mine. Behind us I could hear shouting voices and the whistle of a bobby. I knew I had to act fast.
A black shape drew up beside me. A taxicab. Without thinking, I opened the door and thrust poor Blinky in, then tapped on the cab window. “Piccadilly, driver, and don’t spare the horses”. Before I was even inside the taxicab’s door we were moving.
(Continued on next alt-text)(Continued from previous alt-text)
Spared from the immediate attentions of the constabulary, I set about attending to Blinky. Using my silk scarf, I attempted to plug the wound in his belly. He groaned loudly at my touch.
“Hush now, Blinky,” I told him, “We’ll have you fixed up in no time.”
He just shook his head.
“No,” he moaned, “Deserve all that’s coming. Time to pay the piper.”
“What rot!” I scoffed, “The piper can go hang.” But I knew what he meant.
Our last job, robbing a diamond merchant’s in Hatton Garden had gone badly; a night watchman had surprised us and I, thinking only of our survival, had delivered him a terrible blow to his skull, one from which he had subsequently perished. I know that this was preying on poor Blinky’s mind.
“Be quiet now,” I said to him, “save your strength.”
While he rested, I peered through the taxicab’s window but could see nothing; mere shapes and shadows, insubstantial. At one point I sensed that we were moving over water, though I could think of no bridge that would take us to Piccadilly.
I leaned out of the window, tapped again on the cab.
“Driver?” There came no answer. Unnerved now, I stepped out onto the running plate - the road but a vague blur beneath me, almost like fog itself - and peered through the driver’s window.
No man sat at the wheel. We passengers, myself and Blinky, were the taxicab’s only occupants.
I lifted my head, looked out into the fog. We were no longer in London.
We were, it appeared to me, no longer anywhere at all.
0206
Adrian Chills @adrianchills.bsky.social · 09/09/2026
#80: Miserable
A screenshot of a headline to Guardian column by Adrian Chiles. It reads 'I've spent my whole life looking miserable. It's time for a change'.

(Alt text for next image)

In retrospect, my choice of career - given the obvious disadvantages conferred on me by my countenance - may have been a mistake. Possessing a face that, through no fault of my own (and none owed to my parents either - a relatively cheerful pair - unless you count through the combining of their genetics) perpetually bears an expression memorably described to me by a colleague as ‘like a dropped meat pie’, I have long been used to people seeing me as a harbinger of gloom, a kind of avatar of bad news. A misery.
But medicine was always my dream, and I convinced myself that I could rise above the accident of my features and become a success. And so I did. After completing my initial training - during which I learned that approaching a patient with test results, no matter how positive in outlook, was never going to be my forte - I moved toward my specialism, surgery. Masked from the nose down, with only my hangdog eyes visible, I could at least feel somewhat like a normal person. Of course, consultations were always a little difficult - I would often require to have a colleague on hand to ensure my patient that the prognosis was actually positive - but generally I muddled through.
But as the years wore on, I longed for change, to be the kind of man who brought light into a room, rather than looming black clouds of rain. I had a solution in mind. But how to enact it?
(Continued in next alt text)(Continued from previous alt text)
Then I met Gary. New to the neighbourhood, he soon became a fixture at all social gatherings, due to his bright, natural smile, an outcrop of his inherent joie de vivre. He was everything I longed to be. Even when his cat, Eduardo, went missing, nothing could faze Gary. Though the eyes were sad, the smile was ever-present. He’ll turn up, it seemed to say, It’ll all be okay. (Meanwhile, Eduardo, who I had kidnapped precisely to stage this test, was befouling my basement with the most rancid excreta, not helping to soften my own sullen expression.)
What I had sought for so long was a donor. And so Gary was selected. 
It was then just the matter of putting together the team that would carry out the transplant to my precise instructions, and securing a surgical slot at a nearby private hospital. To a man of my standing, child’s play.
All I needed then was to devise some way of persuading Gary to go under the knife. Which was when luck finally found me.
At a recent cocktail party, Gary asked my advice about a (clearly benign) mole on his upper lip. I told him to visit me this evening for a consultation.
I don’t believe I will have any trouble in convincing him that the news, I’m afraid, is quite bad.
0257
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 03/09/2026
#79: Beast
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads: 'It took me 10 years to read this beast of a book - but it was worth it"

(Alt text for next image)

24th July 1842
The road to the monastery was winding and treacherous, crumbling away on the side which dropped to the dark valley far below, grasping with hawthorn fingers on the other, so that it was in a tremulous state that I first met the abbot. His vow of silence and unfamiliarity with the English language made communication a little difficult but I was able to convey that I was the scholar who had written regarding the rare tome that was in his possession. He showed me to my quarters - simple, bare - and indicated that I might begin my study in the morning.

(Continued on next alt text)(Continued from previous alt-text)

9th September 1842
The Liber Bestarius continues to confound me. The pages - thick and grimy, reputedly made from the skin of a goat, sewn together with its entrails - make reading difficult and the language is like no other I have encountered. My quest to discover its secrets may take longer than I had imagined.

11th November 1844
After long months of frustration, a breakthrough. I begin to discern the arcane secrets of the book. A compendium of beasts, from our world and beyond. Incredible, impossible creatures.

15th March 1847
The book seems to recognise me as I approach it. Its pages grow warm to my hands. I hear soft noises - like those of a snuffling animal - from within. Its words no longer sit unknowable before my eyes, but seem to dance through my mind, creating the most astounding visions. Whatever magic this book holds, it is powerful, and seductive.

22nd June 1850
Came upon this morning the body of the abbott. Throat ripped, guts torn. With hands thick and grimy I delivered him to the valley below to join the others. I no longer need to read the book. It speaks to me in animal tongue, whispers its secrets directly into my thoughts. Day by day its voice grows stronger.

1st August 1852
I begin my descent from the monastery, leaving its blood-soaked walls behind. I walk at night, like the other beasts, alert for any prey to be found on the trail. The book is now part of me, and I am part of it. Its words cover my skin like the thickest fur. I cannot wait to reach the village below, to tell of its power with every gnash of my teeth and slash of my claws. 

Neither animal nor man am I, but something other. Something fiercer.
0195
Adrian Chills @adrianchills.bsky.social · 03/09/2026
#79: Beast
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads: 'It took me 10 years to read this beast of a book - but it was worth it"

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24th July 1842
The road to the monastery was winding and treacherous, crumbling away on the side which dropped to the dark valley far below, grasping with hawthorn fingers on the other, so that it was in a tremulous state that I first met the abbot. His vow of silence and unfamiliarity with the English language made communication a little difficult but I was able to convey that I was the scholar who had written regarding the rare tome that was in his possession. He showed me to my quarters - simple, bare - and indicated that I might begin my study in the morning.

(Continued on next alt text)(Continued from previous alt-text)

9th September 1842
The Liber Bestarius continues to confound me. The pages - thick and grimy, reputedly made from the skin of a goat, sewn together with its entrails - make reading difficult and the language is like no other I have encountered. My quest to discover its secrets may take longer than I had imagined.

11th November 1844
After long months of frustration, a breakthrough. I begin to discern the arcane secrets of the book. A compendium of beasts, from our world and beyond. Incredible, impossible creatures.

15th March 1847
The book seems to recognise me as I approach it. Its pages grow warm to my hands. I hear soft noises - like those of a snuffling animal - from within. Its words no longer sit unknowable before my eyes, but seem to dance through my mind, creating the most astounding visions. Whatever magic this book holds, it is powerful, and seductive.

22nd June 1850
Came upon this morning the body of the abbott. Throat ripped, guts torn. With hands thick and grimy I delivered him to the valley below to join the others. I no longer need to read the book. It speaks to me in animal tongue, whispers its secrets directly into my thoughts. Day by day its voice grows stronger.

1st August 1852
I begin my descent from the monastery, leaving its blood-soaked walls behind. I walk at night, like the other beasts, alert for any prey to be found on the trail. The book is now part of me, and I am part of it. Its words cover my skin like the thickest fur. I cannot wait to reach the village below, to tell of its power with every gnash of my teeth and slash of my claws. 

Neither animal nor man am I, but something other. Something fiercer.
0195
Adrian Chills @adrianchills.bsky.social · 02/09/2026
#78: Kitchen
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads: What did I learn in the kitchen this week? The longer it takes to cook, the less you want to eat it.

(Alt text for next image)
You’re so ungrateful. I suppose I’ve always known that, but this last week has really brought your lack of grace to the fore. I honestly don’t know why I bother sometimes.
(Continued on next alt text)(Continued from previous alt text)

If I can remind you, it was you who came to me. You and your colleague, that odious little fellow with the suspicious eyes and judgemental air, came to my door - what was it? Six weeks ago now - and asked for a few moments of my time. It was only my innate politeness that led me to allow you in. Almost immediately your colleague began to spout some nonsense about ‘reports of peculiar noises’ and ‘complaints about odours’. What was I supposed to do? Just let him proceed with his vile accusations?

You, I thought, had a much more agreeable air, and even though I had to subdue you in order to transport you both to my private kitchen through the trapdoor hidden beneath the carpet in the living-room, I thought that once you revived and we had a chance to get to know each other, I would find a willing recipient for my culinary gifts.

Instead, I was faced with at first refusal - the turning up of your nose at such delights as my roasted cheek with tongue puree - and then, after a week or so, when your hunger had really begun to bite, a weak acceptance accompanied only by sounds of retching disgust.

I’ve tried hard to please you, creating ever more elaborate and time-consuming recipes, but when I presented you this evening with my pièce de résistance  - a slow-roasted leg, seasoned with onion and rosemary on a bed of deviled kidneys, a dish which took me six hours to prepare and cook - you only turned your nose up at it.

I admit that your colleague in the intervening weeks has turned from odious to odiferous, due to my kitchen’s lack of refrigeration space, and that each new cut from him has been a little more ripe than the last, but I believe that my skills as a chef are very much up to the task of making silk purses out of sow’s ears.

I just need you to have an open mind, an adventurous pallet, and to consider, for once, my feelings in the matter.
0134
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 24/07/2026
#77: Wind
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'I am used to hot days now. But the warm wind has really panicked me.'

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Dear Peterson, My Brother in Magic

I can only hope this missive finds you. I have prepared the parchment on which I write with a protective hex which should shield it, at least temporarily, from the all-seeing eyes of Professor Deacon, The Black Mage, and entrusted it to the hands of Archibald, the young boy whom I rescued from the burning ruins of a local orphanage. I myself am still hampered by my physical deformities and unable to travel freely—though your spell to free me from the pigeon curse wrought on me by the Professor was mostly effective, I still possess, from the right knee down, one pink, four-toed foot which makes walking extremely difficult and quite extraordinarily painful.
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I wish so that we had not been parted, but when the demented Deacon cast his Grand Enchantment and plunged us—and thousands of other innocents beside—into this bleak and fiery shadow realm which I have named Infernal Albion, both time and geography seemed to turn topsy-turvey. I find myself now in some shadow version of Slough, populated by a few disoriented survivors alongside roaming hordes of Deacon’s monstrous demon hogs. I pray that you are still in the environs of Rathbone Street. If you are, and Archibald manages to find you, please return with him to find me. I fear that it is only by employing our combined arcane knowledge that we will be able to combat Deacon’s pestiferous sorcery.
The fires which burn eternally here are now just part of the landscape—I no longer even feel their heat. What worries me more are the warm winds which have begun to waft through the abandoned church in which I have taken temporary sanctuary. The winds seem to emanate from no meteorological  source—no sun or moon shine in Infernal Albion, no clouds drift, no rains fall—but instead bear the whiff of an animal’s fetid breath. I fear that the prowling demon hogs, some of them as large as houses, have tracked me to my hiding-place and nightly come to toy with me.
I still have some defenses—my magics and some spears newly whittled from the pews—but I sense I do not have much time.
Please hurry to me Peterson, and let us once more take the fight to the Dark Mage!
Yours, A
1192
Adrian Chills @adrianchills.bsky.social · 24/07/2026
#77: Wind
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'I am used to hot days now. But the warm wind has really panicked me.'

(Alt-text for next image:
Dear Peterson, My Brother in Magic

I can only hope this missive finds you. I have prepared the parchment on which I write with a protective hex which should shield it, at least temporarily, from the all-seeing eyes of Professor Deacon, The Black Mage, and entrusted it to the hands of Archibald, the young boy whom I rescued from the burning ruins of a local orphanage. I myself am still hampered by my physical deformities and unable to travel freely—though your spell to free me from the pigeon curse wrought on me by the Professor was mostly effective, I still possess, from the right knee down, one pink, four-toed foot which makes walking extremely difficult and quite extraordinarily painful.
(Continued on next alt-text)(Continued from previous alt-text)
I wish so that we had not been parted, but when the demented Deacon cast his Grand Enchantment and plunged us—and thousands of other innocents beside—into this bleak and fiery shadow realm which I have named Infernal Albion, both time and geography seemed to turn topsy-turvey. I find myself now in some shadow version of Slough, populated by a few disoriented survivors alongside roaming hordes of Deacon’s monstrous demon hogs. I pray that you are still in the environs of Rathbone Street. If you are, and Archibald manages to find you, please return with him to find me. I fear that it is only by employing our combined arcane knowledge that we will be able to combat Deacon’s pestiferous sorcery.
The fires which burn eternally here are now just part of the landscape—I no longer even feel their heat. What worries me more are the warm winds which have begun to waft through the abandoned church in which I have taken temporary sanctuary. The winds seem to emanate from no meteorological  source—no sun or moon shine in Infernal Albion, no clouds drift, no rains fall—but instead bear the whiff of an animal’s fetid breath. I fear that the prowling demon hogs, some of them as large as houses, have tracked me to my hiding-place and nightly come to toy with me.
I still have some defenses—my magics and some spears newly whittled from the pews—but I sense I do not have much time.
Please hurry to me Peterson, and let us once more take the fight to the Dark Mage!
Yours, A
1192
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 23/07/2026
#76: Video
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'In the bizarre world of short-form video, nobody is allowed to take a breath.'


(Alt-text for next image)
I shouldn’t have clicked on the link, I know that now. But I did, and now it’s too late, the seven days are almost up. And there’s nothing I can do, nothing.

A dark image, barely lit. An industrial space; concrete floor, windowless walls, a ceiling crossed with pipes. The camera’s point of view floating slightly, as though handheld. A low hum that you almost feel more than hear. It runs through your bones, shudders your blood.

There’s something wrong here.
(Continued on next alt-text)(Continued from previous alt-text)
A light flickers somewhere overhead, out of sight. A sickly green glow, sputtering into life. In its spasmodic flashes we glimpse the architecture of the space; three columns, left (near), right (near) and centre (far). The light paints blocks of thick shadow across the grey concrete. Three columns, three pitch black trenches.

With each flicker comes a buzz of sound, an electrical crackle, embedded in the low hum like barbed wire in flesh.

Your throat already feels tight, your windpipe constricted as though a hand were gripping your neck.

And then, behind the centre column, a glimpse of something moving. A hand, little bigger than a child’s, crawls round to grip the column’s edge. Above it, the corner of a face, a single eye beneath a curtain of long dark hair. The eye stares at you, unmoving, unblinking. 

The light begins to flicker again. The barbed wire buzz grows louder. In the stutters of illumination, more hands appear, now on the left and right column edges, closer to the camera, closer to you. The thin white fingers grip the concrete, fingernails scraping back and forth against the surface. You can feel the tips of them against your throat.  Your windpipe is little more than a thread, not wide enough to hold a single breath.

In the last second of the video, all goes dark again. The low hum fades away. All you can hear is the scratch of the fingernails. Skritch, skritch, skritch.

I only saw it once, but every second of it is imprinted on my retinas. There’s no way to escape it.

My throat has already begun to close. I can feel the grip of the hands, the sharp point of the fingernails against my skin. I desperately try to suck in a breath, but there’s no longer any place for the air to go.

I see the light above me flicker, hear the electrical buzz, and I know that it’s nearly over. I let myself succumb to the darkness.



From out of  the darkness, three columns appear in front of me.
0217
Adrian Chills @adrianchills.bsky.social · 23/07/2026
#76: Video
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'In the bizarre world of short-form video, nobody is allowed to take a breath.'


(Alt-text for next image)
I shouldn’t have clicked on the link, I know that now. But I did, and now it’s too late, the seven days are almost up. And there’s nothing I can do, nothing.

A dark image, barely lit. An industrial space; concrete floor, windowless walls, a ceiling crossed with pipes. The camera’s point of view floating slightly, as though handheld. A low hum that you almost feel more than hear. It runs through your bones, shudders your blood.

There’s something wrong here.
(Continued on next alt-text)(Continued from previous alt-text)
A light flickers somewhere overhead, out of sight. A sickly green glow, sputtering into life. In its spasmodic flashes we glimpse the architecture of the space; three columns, left (near), right (near) and centre (far). The light paints blocks of thick shadow across the grey concrete. Three columns, three pitch black trenches.

With each flicker comes a buzz of sound, an electrical crackle, embedded in the low hum like barbed wire in flesh.

Your throat already feels tight, your windpipe constricted as though a hand were gripping your neck.

And then, behind the centre column, a glimpse of something moving. A hand, little bigger than a child’s, crawls round to grip the column’s edge. Above it, the corner of a face, a single eye beneath a curtain of long dark hair. The eye stares at you, unmoving, unblinking. 

The light begins to flicker again. The barbed wire buzz grows louder. In the stutters of illumination, more hands appear, now on the left and right column edges, closer to the camera, closer to you. The thin white fingers grip the concrete, fingernails scraping back and forth against the surface. You can feel the tips of them against your throat.  Your windpipe is little more than a thread, not wide enough to hold a single breath.

In the last second of the video, all goes dark again. The low hum fades away. All you can hear is the scratch of the fingernails. Skritch, skritch, skritch.

I only saw it once, but every second of it is imprinted on my retinas. There’s no way to escape it.

My throat has already begun to close. I can feel the grip of the hands, the sharp point of the fingernails against my skin. I desperately try to suck in a breath, but there’s no longer any place for the air to go.

I see the light above me flicker, hear the electrical buzz, and I know that it’s nearly over. I let myself succumb to the darkness.



From out of  the darkness, three columns appear in front of me.
0217
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 17/07/2026
#75: Survey
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads: "I started filling out a survey-and was plunged into serious soul-searching."

Alt-text for next image:
“Do you have time to fill out a short survey?” She was on my doorstep, a woman in her late forties, swamped by a yellow hooded cagoule, her washed-out face a picture of resignation.
“What’s it about?” I asked.
“Attitudes and opinions,” she said, flatly.
“You’ve hit the jackpot,” I told her, “I’ve got both.” She gave a thin smile, humoring me. I invited her in anyway. To tell the truth, I felt sorry for her. Can’t be an easy job.
The form she handed me was filled with questions and a grid of dots. Mark according to the strength of your feelings: Agree, Somewhat Agree, Neutral, Somewhat Disagree, Disagree.
She passed me a pencil, surprisingly weighty and solid. “Just fill it in yourself,” she said.
(Continued in next alt-text)(Continued from previous alt-text)
I did as she asked. She sat opposite me, perched on the edge of the sofa cushion, still wrapped in her cagoule. I began to regret asking her in. It was hard to put my finger on, but there was something about her which seemed to suck all the life out of the room, a kind of dark cloud. It was like she was the company that misery loved.
The questions were peculiar. Mostly pretty inarguable, I’d say. 
The innocent should suffer. Disagree.
Evil should be punished. Agree.
A man’s life can be wholly dictated by his actions in one single moment. Neutral.
I didn’t think about it too much, just tried to bounce through them as quickly as possible. Any attempt at friendly chit-chat, meanwhile, seemed destined to fail.
“You live round here?”
“No.”
“Been doing this job long?”
“Long enough.”
“Married? Got family?”
“Had a husband. Three kids. All gone now.”
Finally I was done. As I looked over the sheet of filled-in dots, I noticed that they seemed to make a kind of pattern. Almost like a symbol of some sort.
I handed her the sheet. As she looked at it, relief seemed to flood through her.
“Finally,” she whispered.
“I thought I was pretty quick about it,” I said, somewhat put-out.
She shook her head. “The curse” she said, “Finally lifted. Finally passed on.”
As she spoke, the cloud around her seemed to dissipate. At the same time I felt the air around me thicken and grow dim.
She stood up to leave. “Get another to draw the sigil in your presence,” she said, “That’s the only way to free yourself.”
As she walked out of the house, a hollowness began to manifest itself within me, while all hope, all joy, all positivity faded away.
 I still gripped the pencil between my fingers, and realised only now why it carried so much weight. 
It was my only hope to regain my soul.
14313
Adrian Chills @adrianchills.bsky.social · 17/07/2026
#75: Survey
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads: "I started filling out a survey-and was plunged into serious soul-searching."

Alt-text for next image:
“Do you have time to fill out a short survey?” She was on my doorstep, a woman in her late forties, swamped by a yellow hooded cagoule, her washed-out face a picture of resignation.
“What’s it about?” I asked.
“Attitudes and opinions,” she said, flatly.
“You’ve hit the jackpot,” I told her, “I’ve got both.” She gave a thin smile, humoring me. I invited her in anyway. To tell the truth, I felt sorry for her. Can’t be an easy job.
The form she handed me was filled with questions and a grid of dots. Mark according to the strength of your feelings: Agree, Somewhat Agree, Neutral, Somewhat Disagree, Disagree.
She passed me a pencil, surprisingly weighty and solid. “Just fill it in yourself,” she said.
(Continued in next alt-text)(Continued from previous alt-text)
I did as she asked. She sat opposite me, perched on the edge of the sofa cushion, still wrapped in her cagoule. I began to regret asking her in. It was hard to put my finger on, but there was something about her which seemed to suck all the life out of the room, a kind of dark cloud. It was like she was the company that misery loved.
The questions were peculiar. Mostly pretty inarguable, I’d say. 
The innocent should suffer. Disagree.
Evil should be punished. Agree.
A man’s life can be wholly dictated by his actions in one single moment. Neutral.
I didn’t think about it too much, just tried to bounce through them as quickly as possible. Any attempt at friendly chit-chat, meanwhile, seemed destined to fail.
“You live round here?”
“No.”
“Been doing this job long?”
“Long enough.”
“Married? Got family?”
“Had a husband. Three kids. All gone now.”
Finally I was done. As I looked over the sheet of filled-in dots, I noticed that they seemed to make a kind of pattern. Almost like a symbol of some sort.
I handed her the sheet. As she looked at it, relief seemed to flood through her.
“Finally,” she whispered.
“I thought I was pretty quick about it,” I said, somewhat put-out.
She shook her head. “The curse” she said, “Finally lifted. Finally passed on.”
As she spoke, the cloud around her seemed to dissipate. At the same time I felt the air around me thicken and grow dim.
She stood up to leave. “Get another to draw the sigil in your presence,” she said, “That’s the only way to free yourself.”
As she walked out of the house, a hollowness began to manifest itself within me, while all hope, all joy, all positivity faded away.
 I still gripped the pencil between my fingers, and realised only now why it carried so much weight. 
It was my only hope to regain my soul.
14313
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 16/07/2026
#74: Annoyed
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'My neighbours and I were left with no water this week. Why was I the only one who seemed annoyed?'

Alt-text for next image:
It’s been fifteen days since the heatwave first began, fifteen days of cloudless, pale blue skies, of an unrelenting sun cooking city and town alike. For me, it’s been close to unbearable. The night before the heatwave hit, I returned home with my ankle—broken that morning while jogging around the park, victim of an errant Dachshund pulling its lead taut across my path—encased in a fracture boot, with orders not to place any weight on it for at least two weeks. Luckily I’d had a big Waitrose delivery come in the day before, so I was stocked and ready—all I had to do was to see out the next couple of weeks.
Then came the heat. It was like nothing I’d ever experienced before, not just the intensity of it, but the whole feel of it. It was like the sunlight had a texture—thick and heavy, soupy. I could swear it had an odour too. Though I kept the windows closed and fans on during the day, I could smell it seeping through, intoxicating like a perfume. Come to me, it seemed to say, worship in my presence. 
(continued on next alt-text)(continued from previous alt-text)
I told myself it was probably just the antibiotics.
Then, four days ago, the water went off. Attempts to reach the water company by phone were useless—I was just met by a series of recorded messages which only ever led back to the same initial menu. I tried calling other authorities—the council, even the police—but was met with nothing but unanswered rings. The whole situation was maddening beyond belief. I had bottled water to stay hydrated, but it meant no shower, no washing-up, not even the facility to flush a toilet. By day three I was practically living like an animal.
This morning, I’d had enough. Venturing out of the house for the first time in nearly two weeks, hobbling on my boot, I attempted to call on my neighbours to see if they were experiencing the same thing. Finding myself under the full heat of the sun was a real shock—no matter how hard I tried to keep my head down, it was as though my eyes were being drawn to it, like a moth to a lightbulb. Again came that feeling of being intoxicated.
Finally I made it round to Brian and Marge’s. The door was ajar when I arrived and though I called there was no answer.
I hobbled into the living-room and found them both. They were standing at the open patio doors, bathed in the sunlight, arms open, palms raised as in adoration. Where their eyes had been were now just black, burnt-out holes, eyeballs liquefied to a sticky goo which clung to their sunburnt cheeks. A hoarse sound came from both their throats, something that sounded like a prayer.
It’s taking everything in my power not to stop and stand there beside them. To feel the great star’s power burn through me with its awful cleansing fire.
1279
Adrian Chills @adrianchills.bsky.social · 16/07/2026
#74: Annoyed
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'My neighbours and I were left with no water this week. Why was I the only one who seemed annoyed?'

Alt-text for next image:
It’s been fifteen days since the heatwave first began, fifteen days of cloudless, pale blue skies, of an unrelenting sun cooking city and town alike. For me, it’s been close to unbearable. The night before the heatwave hit, I returned home with my ankle—broken that morning while jogging around the park, victim of an errant Dachshund pulling its lead taut across my path—encased in a fracture boot, with orders not to place any weight on it for at least two weeks. Luckily I’d had a big Waitrose delivery come in the day before, so I was stocked and ready—all I had to do was to see out the next couple of weeks.
Then came the heat. It was like nothing I’d ever experienced before, not just the intensity of it, but the whole feel of it. It was like the sunlight had a texture—thick and heavy, soupy. I could swear it had an odour too. Though I kept the windows closed and fans on during the day, I could smell it seeping through, intoxicating like a perfume. Come to me, it seemed to say, worship in my presence. 
(continued on next alt-text)(continued from previous alt-text)
I told myself it was probably just the antibiotics.
Then, four days ago, the water went off. Attempts to reach the water company by phone were useless—I was just met by a series of recorded messages which only ever led back to the same initial menu. I tried calling other authorities—the council, even the police—but was met with nothing but unanswered rings. The whole situation was maddening beyond belief. I had bottled water to stay hydrated, but it meant no shower, no washing-up, not even the facility to flush a toilet. By day three I was practically living like an animal.
This morning, I’d had enough. Venturing out of the house for the first time in nearly two weeks, hobbling on my boot, I attempted to call on my neighbours to see if they were experiencing the same thing. Finding myself under the full heat of the sun was a real shock—no matter how hard I tried to keep my head down, it was as though my eyes were being drawn to it, like a moth to a lightbulb. Again came that feeling of being intoxicated.
Finally I made it round to Brian and Marge’s. The door was ajar when I arrived and though I called there was no answer.
I hobbled into the living-room and found them both. They were standing at the open patio doors, bathed in the sunlight, arms open, palms raised as in adoration. Where their eyes had been were now just black, burnt-out holes, eyeballs liquefied to a sticky goo which clung to their sunburnt cheeks. A hoarse sound came from both their throats, something that sounded like a prayer.
It’s taking everything in my power not to stop and stand there beside them. To feel the great star’s power burn through me with its awful cleansing fire.
1279
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 09/07/2026
#73: Sisyphean
A screengrab of the headline to a Guardian column by Adrian Chiles. It reads 'What I have learned in my filthy, bloody sisyphean quest to tame the garden'.

Alt text for next image: Lesson 1: The trees move. When I first found myself marooned here in this strange wooden shack, beneath the ever-shifting purple sky, its triple suns and double moons, the boundaries of the garden were formed by an encirclement of impenetrable briar hedges, in the midst of which stood a handful of leafless trees, branches clawing at the thin air above. It took only a few days of my confinement to realise that these skeletal, grasping trees did not remain where they were for more than a night at a time. Instead they appeared to roam, sometimes further, sometimes closer, once even appearing in the bounds of the garden itself.  I think they may be watching me.
(continued on next alttext)Lesson 2: The work never ends. Waking in the shack that first morning—my last memory being a blinding flash of white light assaulting my eyes on a late night walk home from the pub—I found myself in a room filled with garden equipment; rakes, hoes, secateurs, spades, all that a conscientious gardener would need. Outside the shack’s door, a garden overgrown in all directions, filled with thriving plants of all shapes and sizes. My first thought on that day was escape, to which I put all my efforts to the point of exhaustion. But when I awoke the next morning and found that the door to the shack was barely able to be opened, so heavy was the pressure from the rampantly spreading flora, I realised that my time would need to be spent using the tools with which I had been provided, to attempt to hold back the green tide which now threatened to envelop the shack. 
So has it been every day since.

Lesson 3: When I fight the garden, the garden fights back. With each slash of my scythe I can feel the enmity of the garden assault me. Tendrils and vines grip my wrists and ankles, nettles sting my legs and arms, branches poke and stab my body. I am riddled with scars; my blood soaks the soil beneath me. Each day I fight the same filthy battle, the only question in my mind being Why?

Lesson 4: I am not alone. Long ago I concluded that this must be part of some grand experiment or test; that I was being examined to gauge my fortitude and resilience, that I was brought here by some greater intelligence much as a rat is put into a laboratory maze. Last night, exhausted on my bed, I looked up through the window—already ringed with advancing armies of ivy—and looked upon the twin moons above. As I watched I swear I saw them blink.
0249
Adrian Chills @adrianchills.bsky.social · 09/07/2026
#73: Sisyphean
A screengrab of the headline to a Guardian column by Adrian Chiles. It reads 'What I have learned in my filthy, bloody sisyphean quest to tame the garden'.

Alt text for next image: Lesson 1: The trees move. When I first found myself marooned here in this strange wooden shack, beneath the ever-shifting purple sky, its triple suns and double moons, the boundaries of the garden were formed by an encirclement of impenetrable briar hedges, in the midst of which stood a handful of leafless trees, branches clawing at the thin air above. It took only a few days of my confinement to realise that these skeletal, grasping trees did not remain where they were for more than a night at a time. Instead they appeared to roam, sometimes further, sometimes closer, once even appearing in the bounds of the garden itself.  I think they may be watching me.
(continued on next alttext)Lesson 2: The work never ends. Waking in the shack that first morning—my last memory being a blinding flash of white light assaulting my eyes on a late night walk home from the pub—I found myself in a room filled with garden equipment; rakes, hoes, secateurs, spades, all that a conscientious gardener would need. Outside the shack’s door, a garden overgrown in all directions, filled with thriving plants of all shapes and sizes. My first thought on that day was escape, to which I put all my efforts to the point of exhaustion. But when I awoke the next morning and found that the door to the shack was barely able to be opened, so heavy was the pressure from the rampantly spreading flora, I realised that my time would need to be spent using the tools with which I had been provided, to attempt to hold back the green tide which now threatened to envelop the shack. 
So has it been every day since.

Lesson 3: When I fight the garden, the garden fights back. With each slash of my scythe I can feel the enmity of the garden assault me. Tendrils and vines grip my wrists and ankles, nettles sting my legs and arms, branches poke and stab my body. I am riddled with scars; my blood soaks the soil beneath me. Each day I fight the same filthy battle, the only question in my mind being Why?

Lesson 4: I am not alone. Long ago I concluded that this must be part of some grand experiment or test; that I was being examined to gauge my fortitude and resilience, that I was brought here by some greater intelligence much as a rat is put into a laboratory maze. Last night, exhausted on my bed, I looked up through the window—already ringed with advancing armies of ivy—and looked upon the twin moons above. As I watched I swear I saw them blink.
0249
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 26/06/2026
#72: Summer
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Summer has never been the same since the great heartbreak of '84'.

Alt text for next image:
As my father was before me, and his father before him, and a long line of fathers before them, stretching back to the establishment of the title in 1313, I have for my entire adult life been a faithful retainer of the Lord and Master Protector of the Isle, Baron Summer; I have been his right hand, his eyes, his ears, the Lighter of the Flame, the Conductor of the Song, the Holder of the Knife. I have seen rich years and barren ones, great harvests and disastrous, poisoned reapings. But no calamity did more to break the Baron’s iron resolve than what happened in 1984, a calamity for which I feel I bear some responsibility.
I was in my fifth year of service, still young, but learned enough in the ways of the island to provide wise counsel, and should have been more forthright in my views when the Baron suggested this his eldest son Wallis, newly turned 18 and attending university on the mainland, should be responsible for bringing over that year’s Solstice Offering. Wallis was young, enthusiastic, but both lacking true devotion to the traditions of the island and a poor judge of character, and when he called home to say that he had persuaded a trio of girls—a ‘close-harmony folk group’ in his telling—to accompany him home for the summer under the pretense of performing at our Sunrise Celebration, I should have vocalised my doubts more forcefully. 
(Continued in next alt text)

(Continued from previous alt-text)
Alas, I did not. And when that trio arrived, we found not the fresh-faced innocents we were expecting, but a triumvirate of female degenerates, who exhibited appetites for debauchery previously unseen by any of us. Virgins were deflowered, pubs drunk dry, and illicit drugs consumed by the fistful as they cut a swathe across the island, pausing only to occasionally blast out a hideous racket on guitars and drums, paeans to the joys of immorality.
It became abundantly clear quite quickly—at least to me—that none of these wanton succubi could ever serve as our Offering. 
In such a situation, where no Sacrifice was available, it was written that the Baron himself would take on the role. But my dedication to my Lord—who had been like a father to me—was so devout that this was something I could not countenance.
Instead, with the help of some narcotics purloined from the demonesses, I contrived to tranquilize the hapless Wallis and place him in the ceremonial robes and mask. 
And so it was that when, at Solstice Dawn, the Baron plunged his blade into the Offering’s chest in order to remove his still-beating heart, it was his own son that he was giving as sacrifice to the Old Gods, a fact only made apparent to him on removal of the mask.
His howl of grief reverberated across the island, a howl that, sadly, still lurks in his throat to this day. In many ways he has never since been the Baron of old.

In defence of my actions I have to say that the harvest that year was exceptional.
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Adrian Chills @adrianchills.bsky.social · 26/06/2026
#72: Summer
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Summer has never been the same since the great heartbreak of '84'.

Alt text for next image:
As my father was before me, and his father before him, and a long line of fathers before them, stretching back to the establishment of the title in 1313, I have for my entire adult life been a faithful retainer of the Lord and Master Protector of the Isle, Baron Summer; I have been his right hand, his eyes, his ears, the Lighter of the Flame, the Conductor of the Song, the Holder of the Knife. I have seen rich years and barren ones, great harvests and disastrous, poisoned reapings. But no calamity did more to break the Baron’s iron resolve than what happened in 1984, a calamity for which I feel I bear some responsibility.
I was in my fifth year of service, still young, but learned enough in the ways of the island to provide wise counsel, and should have been more forthright in my views when the Baron suggested this his eldest son Wallis, newly turned 18 and attending university on the mainland, should be responsible for bringing over that year’s Solstice Offering. Wallis was young, enthusiastic, but both lacking true devotion to the traditions of the island and a poor judge of character, and when he called home to say that he had persuaded a trio of girls—a ‘close-harmony folk group’ in his telling—to accompany him home for the summer under the pretense of performing at our Sunrise Celebration, I should have vocalised my doubts more forcefully. 
(Continued in next alt text)

(Continued from previous alt-text)
Alas, I did not. And when that trio arrived, we found not the fresh-faced innocents we were expecting, but a triumvirate of female degenerates, who exhibited appetites for debauchery previously unseen by any of us. Virgins were deflowered, pubs drunk dry, and illicit drugs consumed by the fistful as they cut a swathe across the island, pausing only to occasionally blast out a hideous racket on guitars and drums, paeans to the joys of immorality.
It became abundantly clear quite quickly—at least to me—that none of these wanton succubi could ever serve as our Offering. 
In such a situation, where no Sacrifice was available, it was written that the Baron himself would take on the role. But my dedication to my Lord—who had been like a father to me—was so devout that this was something I could not countenance.
Instead, with the help of some narcotics purloined from the demonesses, I contrived to tranquilize the hapless Wallis and place him in the ceremonial robes and mask. 
And so it was that when, at Solstice Dawn, the Baron plunged his blade into the Offering’s chest in order to remove his still-beating heart, it was his own son that he was giving as sacrifice to the Old Gods, a fact only made apparent to him on removal of the mask.
His howl of grief reverberated across the island, a howl that, sadly, still lurks in his throat to this day. In many ways he has never since been the Baron of old.

In defence of my actions I have to say that the harvest that year was exceptional.
34117
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 25/06/2026
#71: World Cup
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads: "I'm torn between supporting my two national teams in the World Cup - and the pain is very real'I wake from a narcotic haze to find myself spreadeagled on my back on a cold cement floor. Rough cord binds my wrists and ankles, the taut rope extending on all four points to meet a series of what look to be winches, bolted to the floor.
From somewhere I hear the sound of cheering voices, the rising and falling hum of tens of thousands of people gathered together.
Then the hum becomes a roar of celebration—and with it I feel the winches on my right side grind into motion, pulling the ropes even tighter. On the ceiling above me a giant lighted scoreboard appears.
1-0
Six weeks ago, when I was called in as consulting detective on what later became known as the Group Stage killings, the death toll stood at three—an Austrian/Polish dual national; a Brazilian Scot; an Italian-American, each found with several limbs missing, apparently torn from their bodies. The case soon became an obsession for me and as the bodies piled up, my determination to find the madman responsible for these bizarre slaughters only intensified. 
A clue finally came when an eye-witness was found. She reported seeing the man who drugged and manhandled an Irish-Australian into a van and gave us a partial description—a middle-aged man in a bright yellow short-sleeved top, black shorts and long black socks. It was I who coined his nickname—The Referee—and I who fed the information to the newspapers, along with a crude assessment of his probable numerous psychological issues. My plan was to rile him into acting rashly. It was only when exiting my car the very next night, when I felt the syringe in my neck that I realised that I may have made a fatal mistake.

The pain in my limbs is excruciating. I’m not sure how long I can last. I should have known that my dual European parentage would place me directly in the path of the killer, but I was arrogant, too convinced of my own genius for detection.
The crowd roars. The winches grind. I scream in agony. 
1-1
Damned by my own hubris, I pray for half-time.
0279
Adrian Chills @adrianchills.bsky.social · 25/06/2026
#71: World Cup
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads: "I'm torn between supporting my two national teams in the World Cup - and the pain is very real'I wake from a narcotic haze to find myself spreadeagled on my back on a cold cement floor. Rough cord binds my wrists and ankles, the taut rope extending on all four points to meet a series of what look to be winches, bolted to the floor.
From somewhere I hear the sound of cheering voices, the rising and falling hum of tens of thousands of people gathered together.
Then the hum becomes a roar of celebration—and with it I feel the winches on my right side grind into motion, pulling the ropes even tighter. On the ceiling above me a giant lighted scoreboard appears.
1-0
Six weeks ago, when I was called in as consulting detective on what later became known as the Group Stage killings, the death toll stood at three—an Austrian/Polish dual national; a Brazilian Scot; an Italian-American, each found with several limbs missing, apparently torn from their bodies. The case soon became an obsession for me and as the bodies piled up, my determination to find the madman responsible for these bizarre slaughters only intensified. 
A clue finally came when an eye-witness was found. She reported seeing the man who drugged and manhandled an Irish-Australian into a van and gave us a partial description—a middle-aged man in a bright yellow short-sleeved top, black shorts and long black socks. It was I who coined his nickname—The Referee—and I who fed the information to the newspapers, along with a crude assessment of his probable numerous psychological issues. My plan was to rile him into acting rashly. It was only when exiting my car the very next night, when I felt the syringe in my neck that I realised that I may have made a fatal mistake.

The pain in my limbs is excruciating. I’m not sure how long I can last. I should have known that my dual European parentage would place me directly in the path of the killer, but I was arrogant, too convinced of my own genius for detection.
The crowd roars. The winches grind. I scream in agony. 
1-1
Damned by my own hubris, I pray for half-time.
0279
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 19/06/2026
#70: Superpower
A screengrab of a headline for a Guardian column by Adrian Chiles. It reads 'My superpower? Turning a lovely afternoon into a nerve-shredding orgy of panic'I run from the lab, pain flooding my body, an electrical storm raging in my brain. Heedless to all danger—hearing the screeching of brakes, the yells of passers-by as I careen across the road—my instincts propel me towards open space and I soon find myself in the middle of the local park. I fall to my knees amongst the picnicking families, boozing teens, shirtless lads with their footballs, and let out a primal yell. Something is happening to me. Something is changing.
My experiments to find the means to hasten and strengthen bone regrowth—spurred on by the tragic loss of both my parents to a rare bone disease contracted while journeying in the wilds of Canada—have led me to this place. My latest iteration of the serum, developed over a sleepless weekend alone in my laboratory, proved itself unstable , leading to the sole sample exploding in my hands, the liquid penetrating through my labcoat to be absorbed by my skin.
I feel a blow against my head. A frisbee bounces off me and hits the grass. I hear the laughter of male voices. Anger grows within me, volcanic. At the same time, I feel my body begin to change. My bones themselves begin to lengthen and grow thick. My skin peels apart as though held only by velcro. My skull—still containing my eyes and brain, growing too—bursts from my scalp. Within seconds I am towering over the park, thirty, forty, fifty feet high. I look down at myself, see my clean, strong, brilliant white skeleton body, see my boneless skin-body hanging intact from my clavicle like a comically short novelty necktie.
There is screaming all around me. I grab the boy who threw the frisbee, lift him high in the air, and with a flex of my now immense carpals, I fling him across the treetops to land with an almighty splash in the duck pond.
Energy surges through me. This is what power feels like.
As the panic grows far beneath me,  I throw back my huge skeleton jaw and let out a silent, lungless roar.
0308
Adrian Chills @adrianchills.bsky.social · 19/06/2026
#70: Superpower
A screengrab of a headline for a Guardian column by Adrian Chiles. It reads 'My superpower? Turning a lovely afternoon into a nerve-shredding orgy of panic'I run from the lab, pain flooding my body, an electrical storm raging in my brain. Heedless to all danger—hearing the screeching of brakes, the yells of passers-by as I careen across the road—my instincts propel me towards open space and I soon find myself in the middle of the local park. I fall to my knees amongst the picnicking families, boozing teens, shirtless lads with their footballs, and let out a primal yell. Something is happening to me. Something is changing.
My experiments to find the means to hasten and strengthen bone regrowth—spurred on by the tragic loss of both my parents to a rare bone disease contracted while journeying in the wilds of Canada—have led me to this place. My latest iteration of the serum, developed over a sleepless weekend alone in my laboratory, proved itself unstable , leading to the sole sample exploding in my hands, the liquid penetrating through my labcoat to be absorbed by my skin.
I feel a blow against my head. A frisbee bounces off me and hits the grass. I hear the laughter of male voices. Anger grows within me, volcanic. At the same time, I feel my body begin to change. My bones themselves begin to lengthen and grow thick. My skin peels apart as though held only by velcro. My skull—still containing my eyes and brain, growing too—bursts from my scalp. Within seconds I am towering over the park, thirty, forty, fifty feet high. I look down at myself, see my clean, strong, brilliant white skeleton body, see my boneless skin-body hanging intact from my clavicle like a comically short novelty necktie.
There is screaming all around me. I grab the boy who threw the frisbee, lift him high in the air, and with a flex of my now immense carpals, I fling him across the treetops to land with an almighty splash in the duck pond.
Energy surges through me. This is what power feels like.
As the panic grows far beneath me,  I throw back my huge skeleton jaw and let out a silent, lungless roar.
0308
Adrian Chills @adrianchills.bsky.social · 10/06/2026
#69: Soap
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Pump-action soap dispensers are a disgrace - and I won't put up with them any longer.'Son

By the time you read this, I will be planetside, in the midst of the fighting, with my men beside me. Though I wish the battle to be short, I know that our foe is both relentless and merciless. It has been three long years since I last saw you at your graduation from the military academy. I hope that the war is treating you well and that our name is not too much of a hindrance, or a burden.

Our current campaign has been a long and bitter one. Each time I return to the ship and wash the filthy Sca’alin blood from my body I pray that the end is near. I’m not sure how much longer we can hold this front, though I know that to lose this planet would give the Sca’alins a valuable beachhead for an assault upon Earth itself. The fear of that outcome feeds my resolve.

Our supplies of soap (do you call it that? I’ve heard that in the Delta Sector, the younger recruits have taken to calling it meltjuice) are running dangerously low. But seeing as it’s the only thing known to dissolve a Sca’alin footsoldier’s carapace, we have no choice but to employ it. A new shipment has been promised within the week (though we have been hearing that same report for a month already).

The alert has just sounded for the shuttle embarkation, so I”m afraid I have to go. If you speak to your mother, tell her that I love her and that I’m sorry she’s had to spend so much of her life worrying about an old warhorse like me. If I don’t come back from this mission, tell her I died protecting the whole world. And my whole world is—and always has been—her.

One last thing—these new pump-action soap dispensers that the military are rolling out? They’re no use to man or beast. I’ve told my platoons and I’m telling you—stick with the standard issue rifles and your side-piece. Nothing will serve you better in the field.

Stay safe, son. Proud of you boy.

See you on the other side, wherever that may be.
Your loving father,
A
04111
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 28/05/2026
#68: Baseball
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'Hardly anyone watches baseball in the UK. So why do we keep speaking its language?"The outbreak started in New York, then spread quickly throughout the United States as a whole. The symptoms: vivid discoloration of the face, a necrotic blackening of the eyes and lips, a paralysing of the vocal cords, an insatiable desire to commit violence. Sufferers were immediately apparent by their clothing; some quirk of the virus affecting the brains of each of the victims drove them towards sportswear, specifically baseball uniforms, looted from warehouses. It was theorized that the virus drove the victims towards forming gangs—better to hunt prey—and that the sport was lodged somehow in the brain as the most apparent representation of a collective. 
Whatever the truth, these ‘Furies’ as they became known (named after the ‘4E’ designation of this particular strain of virus) soon turned the United States into a lawless, ungovernable land. With a large percentage of the population unwilling to take even the most basic steps towards the prevention of virus-spread, and a government woefully unprepared for another pandemic, quarantine was too late to come. The virus began to spread worldwide.
In my complacency I didn’t believe it could ever take hold here in Britain. But I was wrong. Now in our third year of lockdown, with running battles between the army and the Furies taking place every night, it feels like we’re fighting a losing battle. Not only our communities but our language is being taken over—tabloids talk of ‘ballpark’ estimates of affected, army operations are reported in terms of ‘first, second and third base’. Furie ambushes are now talked about as ‘coming out of left field’.
Scientists are working hard on a vaccine, but it is slow to come. In the meantime we must contend with the latest mutation, native to our shores.
Baseball pinstripes replaced by all whites and batting pads, the stamina to go on for days without pause. And the Furies’ muteness replaced by the 
harrowing cries of ‘Howzat! Howzat!’ as the infected claim another victim.
2289
Adrian Chills @adrianchills.bsky.social · 28/05/2026
#68: Baseball
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'Hardly anyone watches baseball in the UK. So why do we keep speaking its language?"The outbreak started in New York, then spread quickly throughout the United States as a whole. The symptoms: vivid discoloration of the face, a necrotic blackening of the eyes and lips, a paralysing of the vocal cords, an insatiable desire to commit violence. Sufferers were immediately apparent by their clothing; some quirk of the virus affecting the brains of each of the victims drove them towards sportswear, specifically baseball uniforms, looted from warehouses. It was theorized that the virus drove the victims towards forming gangs—better to hunt prey—and that the sport was lodged somehow in the brain as the most apparent representation of a collective. 
Whatever the truth, these ‘Furies’ as they became known (named after the ‘4E’ designation of this particular strain of virus) soon turned the United States into a lawless, ungovernable land. With a large percentage of the population unwilling to take even the most basic steps towards the prevention of virus-spread, and a government woefully unprepared for another pandemic, quarantine was too late to come. The virus began to spread worldwide.
In my complacency I didn’t believe it could ever take hold here in Britain. But I was wrong. Now in our third year of lockdown, with running battles between the army and the Furies taking place every night, it feels like we’re fighting a losing battle. Not only our communities but our language is being taken over—tabloids talk of ‘ballpark’ estimates of affected, army operations are reported in terms of ‘first, second and third base’. Furie ambushes are now talked about as ‘coming out of left field’.
Scientists are working hard on a vaccine, but it is slow to come. In the meantime we must contend with the latest mutation, native to our shores.
Baseball pinstripes replaced by all whites and batting pads, the stamina to go on for days without pause. And the Furies’ muteness replaced by the 
harrowing cries of ‘Howzat! Howzat!’ as the infected claim another victim.
2289
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 22/05/2026
#67: Nine
A screenshot of a Guardian headline to a column by Adrian Chiles. It reads 'Struggling with the nine times table? I have a failsafe method'Jason (9): Drowned
My older brother. My first. Holiday, Costa del Sol, one overcast morning in the hotel pool. I just wanted to be an only child.

Smithy (18): Pushed from a car park roof
We were stoned at the multi-storey. I think he just looked at me wrong. 

Lisa (27): Carbon monoxide poisoning
Smithy’s sister, the weekend after the funeral. She wanted answers. I throttled her until she passed out, then put her in the car. Tough week for the parents.

Bob (36): Meat cleaver
Friend of a friend. Loudmouth. Tackled him one night on the way home from the pub.  Nearly lost a finger when the cleaver slipped as I was holding him down. Lesson learned - always wear gloves.

Caroline (45): Head caved in by a brick
Co-worker. Gave me a lift home and offered me to come in for some tea. When she stopped at the door to get her key, I struck. Took a week on compassionate leave.

Traffic Warden (54): Run over (repeatedly)
I was three minutes over. Jobsworth.

Greg (63): Suffocated
My dad, when he found my trophy box under my bed; Smithy’s hash-pipe, Lisa’s left shoe etc.  Used bubblewrap, then took his body out to the reservoir. Told Mum he’d done a runner. 

Edna (72): Heart attack/Stairs
She saw me take the car the night Dad died. I broke into the house and crept upstairs. Jumped out when she went to go to bed. Made an awful clatter as she fell.

Mr. Alfred Brigstock (81): Severed carotid artery
Saw him alone at the allotment and couldn’t help myself. Rusty spade came in handy. Police baffled as to motive. Careless about the gloves again, though. Left fingerprints everywhere.

Alonso Vazquez (90): Stabbed through chest with ornamental rapier
My current host. Back on the Costa del Sol where it all started. Met him in a bar and sold him a story about why I’d left the UK in such a rush ( faithless fiance). Invited me back to stay the night. Ran him through while he slept. Daft, really. But that’s the thing about this game; you do one silly thing and it all just multiplies.
2389
Adrian Chills @adrianchills.bsky.social · 22/05/2026
#67: Nine
A screenshot of a Guardian headline to a column by Adrian Chiles. It reads 'Struggling with the nine times table? I have a failsafe method'Jason (9): Drowned
My older brother. My first. Holiday, Costa del Sol, one overcast morning in the hotel pool. I just wanted to be an only child.

Smithy (18): Pushed from a car park roof
We were stoned at the multi-storey. I think he just looked at me wrong. 

Lisa (27): Carbon monoxide poisoning
Smithy’s sister, the weekend after the funeral. She wanted answers. I throttled her until she passed out, then put her in the car. Tough week for the parents.

Bob (36): Meat cleaver
Friend of a friend. Loudmouth. Tackled him one night on the way home from the pub.  Nearly lost a finger when the cleaver slipped as I was holding him down. Lesson learned - always wear gloves.

Caroline (45): Head caved in by a brick
Co-worker. Gave me a lift home and offered me to come in for some tea. When she stopped at the door to get her key, I struck. Took a week on compassionate leave.

Traffic Warden (54): Run over (repeatedly)
I was three minutes over. Jobsworth.

Greg (63): Suffocated
My dad, when he found my trophy box under my bed; Smithy’s hash-pipe, Lisa’s left shoe etc.  Used bubblewrap, then took his body out to the reservoir. Told Mum he’d done a runner. 

Edna (72): Heart attack/Stairs
She saw me take the car the night Dad died. I broke into the house and crept upstairs. Jumped out when she went to go to bed. Made an awful clatter as she fell.

Mr. Alfred Brigstock (81): Severed carotid artery
Saw him alone at the allotment and couldn’t help myself. Rusty spade came in handy. Police baffled as to motive. Careless about the gloves again, though. Left fingerprints everywhere.

Alonso Vazquez (90): Stabbed through chest with ornamental rapier
My current host. Back on the Costa del Sol where it all started. Met him in a bar and sold him a story about why I’d left the UK in such a rush ( faithless fiance). Invited me back to stay the night. Ran him through while he slept. Daft, really. But that’s the thing about this game; you do one silly thing and it all just multiplies.
2389
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 21/05/2026
#66: Corn
A screenshot of a Guardian headline to a column by Adrian Chiles. It reads 'Misery loves company: so allow me to tell you about the agony of my corn'1982
I am running across the field. The other boys are close behind me. I can hear their taunts echoing through the night—’Raggletaggle’ ‘Straw for brains’ ‘Tatty boy’. This is different from all the other times when they picked on me at school. This time they mean to kill me, I’m sure of it. 
I run hard, fast, through the endless corn rows.

Today
The sun is setting behind the forest. From my vantage point in the middle of the field I can see the sky begin to purple. My body—not human, not any more—is clothed in the rags they dressed me in all those years ago. My face, a hessian sack; two jagged eyeholes, a slash for a mouth. 
As the darkness comes I can feel my strength build with it. Tonight will be the night.
They are fathers now, those taunting boys. Their sins are distant memories, less solid to them than a half-remembered song. If I exist for them, it’s as a guilty secret, buried deep, like Roman bones.
But my memories are sharp and vivid. Their fists against my face, the knife that pierced my heart and left me dying; my blood seeping into the soil, feeding the corn that grows here; their hands on my body, pulling me across the ground, towards my final fate.
I step down from the wooden cross, let out a scream, and the corn—fed by my blood, nourished by my pain, alive to my misery—screams with me.
Somewhere out there in the town beyond the field, four men are facing their last night on earth. Four guilty men.
I pick up the rusty scythe that was left by my feet and begin to walk. The cries of the corn accompany my every step, vengeance pulsing through my bloodless limbs. Tireless, pitiless, I seek my revenge.

1982
The hands drop me to the earth, my eyes towards the stars. Above me, looming, I can see the face of the scarecrow, blank, unseeing, a lifeless mask.
“We’ll hide him inside,” say the boys, “That way he won’t be found.”
They lift me up and begin to dress me.
They make me the scarecrow, and the scarecrow—forever— I become.
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Adrian Chills @adrianchills.bsky.social · 21/05/2026
#66: Corn
A screenshot of a Guardian headline to a column by Adrian Chiles. It reads 'Misery loves company: so allow me to tell you about the agony of my corn'1982
I am running across the field. The other boys are close behind me. I can hear their taunts echoing through the night—’Raggletaggle’ ‘Straw for brains’ ‘Tatty boy’. This is different from all the other times when they picked on me at school. This time they mean to kill me, I’m sure of it. 
I run hard, fast, through the endless corn rows.

Today
The sun is setting behind the forest. From my vantage point in the middle of the field I can see the sky begin to purple. My body—not human, not any more—is clothed in the rags they dressed me in all those years ago. My face, a hessian sack; two jagged eyeholes, a slash for a mouth. 
As the darkness comes I can feel my strength build with it. Tonight will be the night.
They are fathers now, those taunting boys. Their sins are distant memories, less solid to them than a half-remembered song. If I exist for them, it’s as a guilty secret, buried deep, like Roman bones.
But my memories are sharp and vivid. Their fists against my face, the knife that pierced my heart and left me dying; my blood seeping into the soil, feeding the corn that grows here; their hands on my body, pulling me across the ground, towards my final fate.
I step down from the wooden cross, let out a scream, and the corn—fed by my blood, nourished by my pain, alive to my misery—screams with me.
Somewhere out there in the town beyond the field, four men are facing their last night on earth. Four guilty men.
I pick up the rusty scythe that was left by my feet and begin to walk. The cries of the corn accompany my every step, vengeance pulsing through my bloodless limbs. Tireless, pitiless, I seek my revenge.

1982
The hands drop me to the earth, my eyes towards the stars. Above me, looming, I can see the face of the scarecrow, blank, unseeing, a lifeless mask.
“We’ll hide him inside,” say the boys, “That way he won’t be found.”
They lift me up and begin to dress me.
They make me the scarecrow, and the scarecrow—forever— I become.
27915
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 13/05/2026
#65: Hardware Store
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'When i want to feel loved, i just go to a hardware store'(When I Want To Feel Love I Just Go To) The Hardware Store

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where a tool will never tell him
That she’s gone ahead and left him
And leave him crying helpless on the floor
When I want to feel loved I just go to the hardware store

A hammer don’t have eyes to see you cheating
There ain’t no cruel deception in a roll of plastic sheeting
An iron vise will always hold you tight until the end
Won’t take your wife out dancing while it pretends to be your friend

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where the shelves will all protect him
From the pain that now affects him
And the anger that is sitting at his core
When I want to feel loved I just go to the hardware store

Tonight I’ll take my toolbox and I’ll drive my car
Out to where I know you and he are drinking at the bar
I’ll pack my gloves and chloroform and my chainsaw too
And both of you will get all the fixin’ that you’re due

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where no-one ever tells him plain 
That what he’s doing just ain’t sane
It’s something that the decent folk abhor
When I want to feel loved I just go to the hardware store

It’s morning now and I set down my brand new shiny spade
And take a breath while I watch over both of your fresh graves
What I feel I can’t describe - it’s numbness and ennui
‘Cause the only person left to hate is me

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where the police I know are hiding
By the aluminum siding
And death is sweating out my every pore
When I want to feel loved I just go to the hardware store
03510
Adrian Chills @adrianchills.bsky.social · 13/05/2026
#65: Hardware Store
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'When i want to feel loved, i just go to a hardware store'(When I Want To Feel Love I Just Go To) The Hardware Store

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where a tool will never tell him
That she’s gone ahead and left him
And leave him crying helpless on the floor
When I want to feel loved I just go to the hardware store

A hammer don’t have eyes to see you cheating
There ain’t no cruel deception in a roll of plastic sheeting
An iron vise will always hold you tight until the end
Won’t take your wife out dancing while it pretends to be your friend

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where the shelves will all protect him
From the pain that now affects him
And the anger that is sitting at his core
When I want to feel loved I just go to the hardware store

Tonight I’ll take my toolbox and I’ll drive my car
Out to where I know you and he are drinking at the bar
I’ll pack my gloves and chloroform and my chainsaw too
And both of you will get all the fixin’ that you’re due

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where no-one ever tells him plain 
That what he’s doing just ain’t sane
It’s something that the decent folk abhor
When I want to feel loved I just go to the hardware store

It’s morning now and I set down my brand new shiny spade
And take a breath while I watch over both of your fresh graves
What I feel I can’t describe - it’s numbness and ennui
‘Cause the only person left to hate is me

When I want to feel loved I just go to the hardware store
Where a man can find a welcome at the door
Where the police I know are hiding
By the aluminum siding
And death is sweating out my every pore
When I want to feel loved I just go to the hardware store
03510
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 07/05/2026
#64: Regret
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'Nostalgia and regret are pointless. So why can't I shake them?'There were five of us who found the object buried in the ice, five of us who transported it, still frozen in place, back to the research station, five of us who spent long, long hours thawing, examining, measuring and finally dissecting it. There had always been five of us. In my mind, there always will be.Robards, Cooper, Kendrick, Bretweiler and me.
We were thirteen months in. It hadn’t been easy at first, too many barriers—ego, pride, machismo—had prevented us from getting close. The breakthrough came on Bretweiler’s birthday, when we’d demolished half the station’s stock of booze and ended up on a naked run through the snow together. 
Those kinds of things create bonds that don’t break. Ever.

Too late we realised that the object inside the ice was alive. On first incision, an inhuman scream rang out across the laboratory. The next thing we knew, Cooper’s face was engulfed by a threshing mass of tendrils, burrowing into his eye sockets, his ears, his mouth and nostrils. The object, pulsing now with life, hurled him around the room like a puppet, sending us scattering.
The Thing That Had Been Cooper went for Kendrick next, projecting a flesh tendril from Cooper’s face to penetrate Kendrick’s chest and pull him close, his own skin melding with that of the Cooper-Thing.
Nothing could stop it—not bullets, not fire, not chainsaw, not axe. When Bretweiler and Robards were taken too, subsumed into the shifting, melding flesh-creature, I knew that my time was short.	
I rigged the station to explode, happy to sacrifice myself if it meant stopping this unholy monster. But the flesh-creature with the minds of my closest friends, knew me too well and my plan was thwarted.

Now we walk again, naked through the snow, the five of us, conjoined. Memories and regrets—my own, and those from the hive-mind—nag my muddled thoughts. The alien consciousness that seeks to control us all tries to stop us, tells us that it’s futile.		
But some bonds just don’t break. Ever.
0237
Adrian Chills @adrianchills.bsky.social · 07/05/2026
#64: Regret
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'Nostalgia and regret are pointless. So why can't I shake them?'There were five of us who found the object buried in the ice, five of us who transported it, still frozen in place, back to the research station, five of us who spent long, long hours thawing, examining, measuring and finally dissecting it. There had always been five of us. In my mind, there always will be.Robards, Cooper, Kendrick, Bretweiler and me.
We were thirteen months in. It hadn’t been easy at first, too many barriers—ego, pride, machismo—had prevented us from getting close. The breakthrough came on Bretweiler’s birthday, when we’d demolished half the station’s stock of booze and ended up on a naked run through the snow together. 
Those kinds of things create bonds that don’t break. Ever.

Too late we realised that the object inside the ice was alive. On first incision, an inhuman scream rang out across the laboratory. The next thing we knew, Cooper’s face was engulfed by a threshing mass of tendrils, burrowing into his eye sockets, his ears, his mouth and nostrils. The object, pulsing now with life, hurled him around the room like a puppet, sending us scattering.
The Thing That Had Been Cooper went for Kendrick next, projecting a flesh tendril from Cooper’s face to penetrate Kendrick’s chest and pull him close, his own skin melding with that of the Cooper-Thing.
Nothing could stop it—not bullets, not fire, not chainsaw, not axe. When Bretweiler and Robards were taken too, subsumed into the shifting, melding flesh-creature, I knew that my time was short.	
I rigged the station to explode, happy to sacrifice myself if it meant stopping this unholy monster. But the flesh-creature with the minds of my closest friends, knew me too well and my plan was thwarted.

Now we walk again, naked through the snow, the five of us, conjoined. Memories and regrets—my own, and those from the hive-mind—nag my muddled thoughts. The alien consciousness that seeks to control us all tries to stop us, tells us that it’s futile.		
But some bonds just don’t break. Ever.
0237
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 06/05/2026
#63: Paper
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'The best filing system? The one where every piece of paper goes in the bin.'They’re coming to the house. It’ll be tonight, I know it. If I don’t act now, every inch of my power will be stolen from me, exploited for their own heinous ends.
It’s taken me ten years to grow my abilities, from that first night when the voice called out to me in the darkness and began to whisper in that language so strange, to today where I’m the book itself upon which it is written.
The first few weeks I spent trying to find a way to put it into human letters and words. The next months were frantic—my hands ever busy with transcribing the words, making a collection of the different passages, organising them into some kind of order, a process through which I came to build up a sense of the information I was being told. 
Information, I quickly discerned, which was the key to an untold power.
As I collated and filed more and more of the words, I found that my strength and vitality were increasing many-fold—the old aches and sicknesses no longer haunted my middle-aged bones, replaced by a buzz of ever-churning energy. The language of the voice told me that this was just the beginning, that if I was willing to commit myself fully to its teaching, then I could become nothing less than a god. 
Three years ago I began to teach myself to use the tattoo gun. Though clumsy at first, I soon developed a rudimentary skill at writing on my own flesh, scratching the most powerful passages from my files onto my very skin. With each line I could feel my strength growing.
And then, a week ago, the voice stopped. It’s final words to me: They’re coming to steal your power. Protect yourself.
With the scalpel now I remove each passage from my body, lifting the paper that is my skin from its binding on my flesh. I shred it, discard it, nullifying its potency.
I hold the mirror in my skinless hand, insert the knife beneath my chin and begin to cut. The bin beside me is filled with my mangled offcuts. 
Only a few more pieces of paper to go and then I will be safe from them for good.
0247
Adrian Chills @adrianchills.bsky.social · 06/05/2026
#63: Paper
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'The best filing system? The one where every piece of paper goes in the bin.'They’re coming to the house. It’ll be tonight, I know it. If I don’t act now, every inch of my power will be stolen from me, exploited for their own heinous ends.
It’s taken me ten years to grow my abilities, from that first night when the voice called out to me in the darkness and began to whisper in that language so strange, to today where I’m the book itself upon which it is written.
The first few weeks I spent trying to find a way to put it into human letters and words. The next months were frantic—my hands ever busy with transcribing the words, making a collection of the different passages, organising them into some kind of order, a process through which I came to build up a sense of the information I was being told. 
Information, I quickly discerned, which was the key to an untold power.
As I collated and filed more and more of the words, I found that my strength and vitality were increasing many-fold—the old aches and sicknesses no longer haunted my middle-aged bones, replaced by a buzz of ever-churning energy. The language of the voice told me that this was just the beginning, that if I was willing to commit myself fully to its teaching, then I could become nothing less than a god. 
Three years ago I began to teach myself to use the tattoo gun. Though clumsy at first, I soon developed a rudimentary skill at writing on my own flesh, scratching the most powerful passages from my files onto my very skin. With each line I could feel my strength growing.
And then, a week ago, the voice stopped. It’s final words to me: They’re coming to steal your power. Protect yourself.
With the scalpel now I remove each passage from my body, lifting the paper that is my skin from its binding on my flesh. I shred it, discard it, nullifying its potency.
I hold the mirror in my skinless hand, insert the knife beneath my chin and begin to cut. The bin beside me is filled with my mangled offcuts. 
Only a few more pieces of paper to go and then I will be safe from them for good.
0247
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 30/04/2026
#62: Chips
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads: I can't stop pilfering from other people's plates - but don't even think about grabbing my chips.The hunger. It consumes me. There’s an emptiness in my belly that feels like it never can be filled.
One night each year, when the magic that binds me to my static form weakens and I can move my pale and boneless legs, I start to walk, fragments of memory bubbling in my clouded mind.
A man—me, back when I was still a man—a drunken argument in a fish and chip shop—harsh words spoken—an old man appearing, his lips curling with malice as he recites his curse—me, walking outside, looking back one last time, catching sight of my reflection—watching in horror as my body starts to shift and morph—the agony of my bones reforming, reshaping, turning me into something less than human.
My body is no longer my own. Instead, I am a grotesque parody. My torso, an upside-down cone, open at the top, from which spill a crowd of thick cut chips, as chaotically arranged as my own thoughts. My face, peeking out from a hole in the cone’s red and white wrapper, two uneven eyes arranged in a deformed wink and a curl of a red-lipped mouth. In the corner of that mouth, held by my pale arm, another chip, as though I were chewing on my own brains. 
Taste your sick thoughts forever, demands the curse.
I reject it, if only for this one night. As I walk, I pull the chip from my mouth and insert it back with the others that form my brain-meat. My stomach seeks not my own mock-potato flesh, but something more. 
From a nearby house I scent roasted meat. Before I know it my heavy boots have kicked open the front door and I am looming over the dinner-table, my clumsy hands stealing a chop from the plate of a terrified wife. The husband tries to grab at me to stall my ravening, his hands grasping one of my chips.	
Red mist, like ketchup, descends. When it clears, my belly is full and more meat covers the room than was ever on the plates.
I trudge back to the shop, my body stiffening again with each step, ready to assume my position as mascot, my chip-brains dreaming already of next year’s feast.
1269
Adrian Chills @adrianchills.bsky.social · 30/04/2026
#62: Chips
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads: I can't stop pilfering from other people's plates - but don't even think about grabbing my chips.The hunger. It consumes me. There’s an emptiness in my belly that feels like it never can be filled.
One night each year, when the magic that binds me to my static form weakens and I can move my pale and boneless legs, I start to walk, fragments of memory bubbling in my clouded mind.
A man—me, back when I was still a man—a drunken argument in a fish and chip shop—harsh words spoken—an old man appearing, his lips curling with malice as he recites his curse—me, walking outside, looking back one last time, catching sight of my reflection—watching in horror as my body starts to shift and morph—the agony of my bones reforming, reshaping, turning me into something less than human.
My body is no longer my own. Instead, I am a grotesque parody. My torso, an upside-down cone, open at the top, from which spill a crowd of thick cut chips, as chaotically arranged as my own thoughts. My face, peeking out from a hole in the cone’s red and white wrapper, two uneven eyes arranged in a deformed wink and a curl of a red-lipped mouth. In the corner of that mouth, held by my pale arm, another chip, as though I were chewing on my own brains. 
Taste your sick thoughts forever, demands the curse.
I reject it, if only for this one night. As I walk, I pull the chip from my mouth and insert it back with the others that form my brain-meat. My stomach seeks not my own mock-potato flesh, but something more. 
From a nearby house I scent roasted meat. Before I know it my heavy boots have kicked open the front door and I am looming over the dinner-table, my clumsy hands stealing a chop from the plate of a terrified wife. The husband tries to grab at me to stall my ravening, his hands grasping one of my chips.	
Red mist, like ketchup, descends. When it clears, my belly is full and more meat covers the room than was ever on the plates.
I trudge back to the shop, my body stiffening again with each step, ready to assume my position as mascot, my chip-brains dreaming already of next year’s feast.
1269
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 23/04/2026
#61: Coffee Machine
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Banter is the last thing I want from a coffee machine. Yet here we are.'I’m halfway through recon patrol at the abandoned Argos warehouse when the ambush comes. Something heavy, propelling itself from the high shelves above, hits me square on the shoulder, knocking me to the floor. I hear the CRACK of my collarbone breaking and feel an instant hot needle of pain. As I roll to my side and pull my Taser  up to fire, I see my assailant—a mini-fridge on wheels, its door yawning open like the jaw of a great beast,  rushing towards me to deliver the final blow. I pull the trigger, hit the fridge. It crackles and sparks, then falls to the floor. I’ve survived, as I have done many times before. But what now?
I try to lift myself to my feet, but the pain is  excruciating. I’m stuck.
“Oh dear,” comes a voice from next to me, “Looks like someone needs a shot of the old java.”
I turn, see on the shelf beside me a coffee machine. Most other devices infected with the sentient machine virus pose at least some kind of threat, but a coffee machine. Harmless.
“What’ll it be, chief? Latte to go? Give me the word and I’ll bean you up good.”
Harmless, but unbelievably annoying.
“Stick your bean juice up your circuits,” I growl, “And shut your lipless trap.”
I need to think. Where the mini-fridge came from, there are likely more. I have to just lay low, regain my strength, and try and work up to crawling out of here. 
“Huh,” says the coffee machine, “Someone’s cranky. Seems to me like a pick-my-up is exactly what you need right now.” It gives a short, sarcastic laugh.
“Fuck you, and fuck your coffee,” I tell it. Too late I realize my mistake.
Behind the coffee machine I see for the first time the loudhailer.
“You could have just said yes to a latte,” says the machine. Then it begins to grind, the sound flowing through the megaphone, reverberating around the vast warehouse. A siren call.
I hear the sound of scuttling wheels approaching and my trembling hand raises the Taser. The smell of coffee fills my nostrils. 
Smells like death.
04610
Adrian Chills @adrianchills.bsky.social · 23/04/2026
#61: Coffee Machine
A screenshot of a headline to a Guardian column by Adrian Chiles. It reads 'Banter is the last thing I want from a coffee machine. Yet here we are.'I’m halfway through recon patrol at the abandoned Argos warehouse when the ambush comes. Something heavy, propelling itself from the high shelves above, hits me square on the shoulder, knocking me to the floor. I hear the CRACK of my collarbone breaking and feel an instant hot needle of pain. As I roll to my side and pull my Taser  up to fire, I see my assailant—a mini-fridge on wheels, its door yawning open like the jaw of a great beast,  rushing towards me to deliver the final blow. I pull the trigger, hit the fridge. It crackles and sparks, then falls to the floor. I’ve survived, as I have done many times before. But what now?
I try to lift myself to my feet, but the pain is  excruciating. I’m stuck.
“Oh dear,” comes a voice from next to me, “Looks like someone needs a shot of the old java.”
I turn, see on the shelf beside me a coffee machine. Most other devices infected with the sentient machine virus pose at least some kind of threat, but a coffee machine. Harmless.
“What’ll it be, chief? Latte to go? Give me the word and I’ll bean you up good.”
Harmless, but unbelievably annoying.
“Stick your bean juice up your circuits,” I growl, “And shut your lipless trap.”
I need to think. Where the mini-fridge came from, there are likely more. I have to just lay low, regain my strength, and try and work up to crawling out of here. 
“Huh,” says the coffee machine, “Someone’s cranky. Seems to me like a pick-my-up is exactly what you need right now.” It gives a short, sarcastic laugh.
“Fuck you, and fuck your coffee,” I tell it. Too late I realize my mistake.
Behind the coffee machine I see for the first time the loudhailer.
“You could have just said yes to a latte,” says the machine. Then it begins to grind, the sound flowing through the megaphone, reverberating around the vast warehouse. A siren call.
I hear the sound of scuttling wheels approaching and my trembling hand raises the Taser. The smell of coffee fills my nostrils. 
Smells like death.
04610
Adrian Chills @adrianchills.bsky.social · 22/04/2026
#60: Press-up
A screengrab of a headline to a Guardian column by Adrian Chiles. It reads 'I tried to do a press-up - and had an existential crisis'When I first had the accident—a motorcycle crash on the M5 near Smethwick—it plunged me into a fog of despair. To lose one arm would have been traumatic; to lose both simultaneously felt like the end of the world. So to find a donor within days was like a miracle.
Recovery from the transplant was a long road. At times it felt like I was a child again, learning how to feed myself, write my own name. But over the months and years of physio, I felt myself gradually growing stronger. In some ways I even felt improved. The arms, though never feeling like they were quite my own had a strength and dexterity that I had never experienced before.
I often wondered about my donor; who he had been, what those arms had felt. One day last week, I began to get answers.
I began a new morning regimen, including for the first time since my accident, press-ups. As I assumed the position on the living-room floor and began to bend my elbows, a torrent of images suddenly began to flood my mind. Below me, looking up into my own face, the terrified faces of others; men and women, old and younge each face riddled with fear and pain. 
I knew, instinctively, that I was seeing what the owner of the arms had seen.
I knew too, that those glimpses of fear and pain had sparked a fervour in me.
Research online led me to identify my donor—a middle-aged sawmill worker named Pennington. As I scrolled the details of his fatal accident, my hands took on a life of their own, typing in a new search term—The Slicer. Serial killer.
Eighteen murders over the last ten years. Each victim pinned to the ground and penetrated through the torso by a series of blades. 
Perpetrator never found.
	
Tonight in the workshop, I let my hands lead the way. From leather and sawblades they sew and glue the chest harness that I will wear. At the chime of each hour I fall to the ground and practice my press-ups.
A new face will soon watch me in fear as I lower myself upon them. 
I take it slow, savouring each moment.
0255
Reposted by Adrian Chills
Adrian Chills @adrianchills.bsky.social · 08/04/2026
#59: Gone
A screengrab of the headline to a Guardian column by Adrian Chiles. It reads 'Rose's Lime Marmalade? Gone. Dark chocolate Bounty? No more. But what about their heartbroken fans?'The Tournament first began in 1989, five years after the bomb which destroyed our government and led to the permanent closing of the UK’s borders. Cut off from the wider world our country fell into alternating spasms of violent street riots and brutal authoritarian crackdowns.
In order to provide the populace with some alternative method of release for their pent-up frustrations, The Tournament was begun. The Tournament would see televised contests between specially chosen contestants, to take place in repurposed football grounds fitted out with a selection of assault course obstacles. 
Allowed a limited choice of weaponry, the contestants would have to stalk and kill their opponents, all under the watchful eyes of multiple BBC live broadcast cameras.
In the decades since its inception, The Tournament has only grown in viciousness, brutality and viewership. Now in its 38th year, it is the biggest cultural event of each week. Its combatants are each adopted by a corporate sponsor, taking on that sponsor’s brand identity—a government initiative to promote economic growth.
Which is how I find myself here, in the bowels of the West Midlands Murderdome (formerly The Hawthorns), waiting to face the deadly hands of Spangles, the current champion, who has so far today defeated all-comers. Rose’s Lime Marmalade? Reduced to a bloody pulp. Dark Chocolate Bounty? Cleaved in two by Spangles’ gleaming blade. I can hear their supporters howling their disapproval above me, and know that the atmosphere I will ascend into will be a veritable powderkeg.
If I should somehow defeat Spangles, I could perhaps become their new hero. If I fail, only death awaits.
The announcement comes: “Salt ‘n’ Shake to the arena”. I tighten my blue tunic, taste the sweat on my top lip and feel the vibrations of their stomping feet above me.
The next few minutes will decide my fate; hero for a day or dead for eternity.
I climb the twelve steps to the pitch and hear their feral roar. It feeds me.
0256
Adrian Chills @adrianchills.bsky.social · 08/04/2026
#59: Gone
A screengrab of the headline to a Guardian column by Adrian Chiles. It reads 'Rose's Lime Marmalade? Gone. Dark chocolate Bounty? No more. But what about their heartbroken fans?'The Tournament first began in 1989, five years after the bomb which destroyed our government and led to the permanent closing of the UK’s borders. Cut off from the wider world our country fell into alternating spasms of violent street riots and brutal authoritarian crackdowns.
In order to provide the populace with some alternative method of release for their pent-up frustrations, The Tournament was begun. The Tournament would see televised contests between specially chosen contestants, to take place in repurposed football grounds fitted out with a selection of assault course obstacles. 
Allowed a limited choice of weaponry, the contestants would have to stalk and kill their opponents, all under the watchful eyes of multiple BBC live broadcast cameras.
In the decades since its inception, The Tournament has only grown in viciousness, brutality and viewership. Now in its 38th year, it is the biggest cultural event of each week. Its combatants are each adopted by a corporate sponsor, taking on that sponsor’s brand identity—a government initiative to promote economic growth.
Which is how I find myself here, in the bowels of the West Midlands Murderdome (formerly The Hawthorns), waiting to face the deadly hands of Spangles, the current champion, who has so far today defeated all-comers. Rose’s Lime Marmalade? Reduced to a bloody pulp. Dark Chocolate Bounty? Cleaved in two by Spangles’ gleaming blade. I can hear their supporters howling their disapproval above me, and know that the atmosphere I will ascend into will be a veritable powderkeg.
If I should somehow defeat Spangles, I could perhaps become their new hero. If I fail, only death awaits.
The announcement comes: “Salt ‘n’ Shake to the arena”. I tighten my blue tunic, taste the sweat on my top lip and feel the vibrations of their stomping feet above me.
The next few minutes will decide my fate; hero for a day or dead for eternity.
I climb the twelve steps to the pitch and hear their feral roar. It feeds me.
0256