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Association of Adaptation Studies

@adaptstudies.bsky.social
239 followers 290 following 126 posts

We are AAS: scholars of adaptation, intertextuality, intermediality & all the disciplines that involve them. Arguably the best sidebar chat game in online aca-conferencing. Join us! www.adaptation.uk.com YouTube: @associationofadaptationstu3160

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Association of Adaptation Studies @adaptstudies.bsky.social · 22/09/2026
CFP Everydayness in an Intermedial Perspective Masaryk University, Brno, Czech Republic 22-23 April 2027 // Application due 31 October 2026 ceska-literatura.phil.muni.cz/en
Poster for academic conference: Everydayness in an Intermedial Perspective, hosted by Masaryk University, Brno, Czech Republic.Submission requirements for the posted conference, deadline 31 October 2026.
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Association of Adaptation Studies @adaptstudies.bsky.social · 22/09/2026
CFP Mediations of Nostalgia Linnaeus University, Växjö, Sweden 16-18 Aug 2027 // Abstracts due 31 March 2027 Full call: www.lnu.se/en/nostalgia...
"Because nostalgia is never immediate: it is always mediated." Photo of a handheld, vintage camera taking a photo of a somewhat fantasy-coded rock formation at sunset. 250-word abstract due to the org team by 31 March 2027
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Association of Adaptation Studies @adaptstudies.bsky.social · 21/08/2026
Call for Chapters: The Politics of Light in Neo-Victorian Fictions ✍️ The proposed volume aims to explore literal & metaphorical uses of light in the fictionalizations of the Victorian period in various media and genres / Proposals due 15 Oct 2026
Light was central to the construction of Victorian subjectivities, not only as the support for disciplinary power and colonial control exerted through vision and inspection, but within a broader and multiple field of contingent encounters, artistic techniques, and dramatic situations. From this perspective, the iconic figures of the Victorian eye - the guard in the panoptical tower and the flâneur, the detective and the man in the crowd, the artist and the monster, the crystal palace and the heart of darkness, the hall of mirrors and the slum - can be placed within a more material and situated aesthetic, cultural, and political history of light (see Barnaby, 2017).

Thinking about light in material terms rather than only as metaphor or as disembodied and disembodying vision, can be seen as part of a methodological shift toward new materialism and ecocriticism in the humanities. Like water in the blue humanities (see Mentz, 2024), the materiality of light challenges clear-cut spatial distributions and delimitations, as well as constructions of bodily boundaries and binary attributions of agency and passivity through the look. Light, as Mieke Bal
suggested, "actively contributes to the modification and the transformation of [...] experience" (2007).

The Victorian era's "relentless drive toward spectacular radiance" (Otter, 2008) set some of the conditions of the transition to modernity and its glare and glitter are, in many ways, still with us. Especially given the ongoing popularity of neo-Victorian fictions, and in the context of a constant expansion of the boundaries of the Victorian and the neo-Victorian as academic categories, a focus on material light also becomes an occasion for tracing the afterglow of Victorian visualities as they
still influence the present politics of visibility and aesthetics of perception.Possible topics may include how Victorian and Neo-Victorian fictions stage and transpose:
 
Light technologies in Victorian architecture and material culture
Light, illumination, visibility, darkness and dusk in Victorian literature, painting, theatre, and popular entertainment
Disciplinary practices of illumination in urbanism and the medical sciences, in the organisation of domestic and industrial labour, in colonial and correctional spaces
Reflective and transparent surfaces, twilight, exposure, and concealment as part of the construction of Victorian subjectivities
Metaphors and performances of light and darkness in the colonial imaginary and in the construction of abled, gendered, and racialised bodies
Visibility and invisibility, in their material, relational, and ecological aspects, as part of Gothic fiction and of Victorian constructions of happiness, monstrosity, and madness
Lightscapes: the enchantment and disenchantment of the night, light shows, theories of colour and visions of electricity, photographic and optical techniques
 
Practical details
 
We invite expressions of interest accompanied by abstracts of possible chapters (approx. 500 words) and the authors’ short biographical notes (up to 150 words). The deadline is 15 October 2026. Notifications of acceptance will be sent by 15 November 2026. After the selection stage, we are going to put together a book proposal and present it to top-tier publishers (Brill and Routledge are our first choices). Once the book proposal is accepted, the exact length of the chapters and the deadline for chapters will be decided in consultation with the publisher (but we are provisionally planning the deadline to be March or April 2027).
 
Please send the abstracts to both editors: Anna Gutowska, SWPS University, Warsaw, at agutowska1@swps.edu.pl and Carlo Comanducci, Vistula University, Warsaw, at c.comanducci@vistula.edu.pl
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Association of Adaptation Studies @adaptstudies.bsky.social · 16/07/2026
⚠️ To Be Continued... is coming in September! Two days + four panels = this SIXTH EDITION of the virtual highlight of our scholarly calendar! Defining, Producing, Performing, Consuming, and Theorising Serials & Adaptations ...since 2021 🕰️ Info & registration 💻 www.monash.edu/arts/media-f...
Four panels on the program: Openings, Remakesploitation, Romance, and Sexuality, each with seven speakers on the subject.
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Association of Adaptation Studies @adaptstudies.bsky.social · 13/07/2026
🚨 Our AGM (Annual General Meeting) is scheduled TODAY @ 16:00 BST. Members should check their inbox for the zoom link, and a selection of time zone conversions is here:
Across different time zones, the AGM will take place at: 
8:00 PDT - Pacific Daylight Time
10:00 CT - Central Time
11:00 ET - Eastern Time
12:00 BRT - Brazil Standard Time
17:00 CEST - Central European Summer Time
18:00 TRT - Turkey Time
20:30 IST - Indian Standard Time
23:00 CST - China Standard Time
24:00 JST - Japan Standard Time
1:00* AEST - Australian Eastern Standard Time (*Note that this will be 1:00 July 14, 2026)
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Association of Adaptation Studies @adaptstudies.bsky.social · 09/07/2026
TOMORROW (10 July) Online Sessions @ 7:30 a.m. MDT 5A: Adaptation and Popular Culture 5B: Sonic Worldbuilding
Presenters 5A: The Guiding Role of the Paratexts for the Musical SIX, in
its Identification as an Activist Historical Adaptation (Larissa Rumiantzeff, Pontifical Catholic University of Rio de Janeiro)
Wight Zombie: Adaptation, Coloniality, and Cultural Appropriation in the World of Ice and Fire (Rachel M. Hartnett, College of Coastal Georgia)
"The Uniform a Man Wears Changes Him": How the Complex Hidden Identities of Hooded Justice and Doctor Manhattan Mask (Dis)comfort in Watchmen Narratives (Kathryn J. McClain, Colorado Mesa University)
Presenters 5B: Translating Sound and Devotion: Aurality and Adaptation in the Oral Legend of Bua Rani (Aditi Magotra, IIT Jammu and MIET Jammu)
Sounds of Futures Past: Sonic Worldbuilding in Gerry and Sylvia Anderson’s TV Sci-fi (Jonathan Bignell, University of Reading)
The Mechanics of Self-Metadaptation in the Intermedial Mash-Up Work-Life Balance (Leslie Z. Wong, King's College London)
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Association of Adaptation Studies @adaptstudies.bsky.social · 09/07/2026
Online Sessions TODAY (9 July) @ 9:00 p.m. MDT 4A: Music as Adaptation Across Forms 4B: Film Soundtracks & Musical Scoring
4A presenters: 
Remediation as Reactionary: Realising "The Dream of Gerontius" in The Choral (2025) (Calvin Goh, University of Edinburgh)
The Adaptable Anchoress: Julian of Norwich in Florence and the Machine’s “Perfume and Milk” (Sarah R. Wallace, Burman University)
4B presenters:
Arrival at Netherfield: Dario Marianelli’s 2005 Pride and Prejudice Soundtrack (Maria Juko, Independent Scholar)
The Affective Aura of Alex North’s Adaptations: From Feeling to Commentary (Polina Rybina, Lomonosov Moscow State University)
All the Page’s a Stage – Dramatic Time and Space in Gaiman's "A Midsummer Night's Dream" (Rebecca Elektra Raddatz, University of Groningen)
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Association of Adaptation Studies @adaptstudies.bsky.social · 09/07/2026
Online Session 3 TODAY (9 July) @ 7:30 a.m. Mountain Daylight Time on Intermedial Storytelling & Form
Intermedial Adaptation of Orality: The Manzai Form in Manga and Cinema (Yusuke Sasaki, The University of Tokyo, Komaba)
Thirty-Two Vignettes, One Unfinished Life Story: The Goldberg Variations as the Language of Bioadaptation in Thirty Two Short Films About Glenn Gould (1993) (Sirui Xu, The University of Edinburgh)
Aural Synergy in Film and Comics: A Study of Adaption through Persepolis (Callahan Fedullo, University of Edinburgh)
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Association of Adaptation Studies @adaptstudies.bsky.social · 22/02/2026
Exhibit A to illustrate the best sidebar chat in academic conferencing, captured during Day Two of LFA/AAS & featuring @grossmjj.bsky.social with Tom Leitch.
Julie Grossman writes, "I think about one critic's comment about Gloria Grahame's roles in film noir--that she was always on the sidelines where she could cause the most trouble. Gloria=adaptation studies?" Two hearts for that. Tom Leitch responds "YES!!" (with one heart).
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Association of Adaptation Studies @adaptstudies.bsky.social · 03/11/2025
🔆 LFA/AAS Joint Conference (ONLINE ONLY): Adaptation and Collaboration, 19-20 Feb 2026 ✍️ Submit your proposal here by 1 December 2025: docs.google.com/forms/d/e/1F...
LFA/AAS Online Conference 2026: Adaptation and Collaboration 
February 19-20, 2026

When the online joint LFA/AAS conference began in the heyday of a global pandemic, the goal and theme was connection: to meet and mingle with scholars from across the world when circumstances made in-person connection untenable. Now, with half a decade under our belts and increasingly complex global problems facing our cultures and communities, it becomes crucial to think about the ways that adaptations (and adaptation scholars) of all kinds can find strength through an ethic and theory of collaboration, one that recognizes the ways adaptations have always been collaborative and explores new possibilities for intergroup cooperation

We invite scholars from all disciplines to submit 8-10 minute presentations on the intersection of textual adaptation (intertextuality, intermediality, industries, and auteurs) and collaboration (cooperation, collective action, interdisciplinarity, and academic partnerships) writ broadly. While we welcome any unique interpretations of this theme, possible approaches could include:

Adaptation as a collaborative practice between authors and adapters, readers and viewers, scholars and practitioners, or texts and technologies
Adapting (with) non-human collaborators
Adaptations that theorize or explore themes of collaboration and collective action
Adaptation’s role in collaborative pedagogies
Adapting for the sake of international/interdisciplinary collaboration
Adapting collaborative technologies for artistic production and cultural reception

We particularly encourage presentations and panels which foster cooperation across disciplines and/or bring the spirit of collaboration into the panel format itself – experimentation is welcome!

Please submit abstracts using this Google Form by 1 December 2025. All inquiries may be directed to adaptationjointconference@gmail.com

We will notify everyone whose proposals are accepted for presentation by mid-December.
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Association of Adaptation Studies @adaptstudies.bsky.social · 30/10/2025
👉 👉 The call is HERE for AAS 2026: Adaptation and Aurality, hosted by Burman University in beautiful Alberta, Canada! ✍️ Proposals due 15 December 2025 🗓️ Conference 7-10 July 2026 Full details posted on the AAS website: www.adaptation.uk.com/aas-conferen...
Introduction to the Call for Papers for the Association of Adaptation Studies Annual Conference 2026: Adaptation and Aurality. The conference will be hosted at Burman University in Alberta, Canada. A list of suggested topics on the theme of Adaptation and AuralityA short bio and photo of the keynote speaker for AAS 2026, poet/musician/scholar Dr. Sonnet L'Abbé (Vancouver Island University).Submission guidelines and contact information. For further inquiries please write to aas2026@burmanu.ca
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Association of Adaptation Studies @adaptstudies.bsky.social · 22/09/2025
CALL FOR CHAPTERS: Reimagining Frankenstein in the 21st Century, ed. Cenk Tan & Defne Ersin Tutan. For full call text & inquiries, email adaptingfrankenstein@gmail.com
Opening text for the call: "...Whether it be fears of technological overreach, social alienation, and the ethical boundaries of human ambition, or concerns over science, identity, and power in the broader sense, FRANKENSTEIN still retains its global allure and timeless appeal, owing significantly to its adaptations on screen and on television."Further details about the call. Chapters for the volume have already been outlined. Inquiries and submissions should be directed to adaptingfrankenstein@gmail.com
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Association of Adaptation Studies @adaptstudies.bsky.social · 19/09/2025
One day in the books, one more on the docket for To Be Continued...! Registration is still open: ubalt.zoom.us/meeting/regi... On tonight's program: panels on Franchises and Legacies...
Program text listing participants for the Franchises and Legacies panels of the fifth To Be Continued event.
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Association of Adaptation Studies @adaptstudies.bsky.social · 17/09/2025
RIP Robert Redford, one of the best to ever do it.
Robert Redford, impeccably dressed but horribly miscast as Jay Gatsby in the 1974 film adaptation of Fitzgerald's novel. He stands with furrowed brow in front of an early-20th century hot rod parked outside an opulent mansion
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