Who Is Photographing Whom? (Lucky SHD 100)
A monument is photographed.
Film photographs the photographers.
April says nothing.
#filmphotography #lomography #blackandwhite #monochrome #35mm #fedmicron #luckyshd100 #bnw #ClassicMono #monument #analog #halfframe #lomopunk #expiredfilm ##MotionBlur
![The stringer turned the Canon Prima on himself and realized it was time for a serious talk. He raised an index finger to the sky, furrowed his brow under a worn cap, and set his face into the stone expression of a man who knows far too much about Old Arbat. The 1991 Soviet Svema motion picture film froze in respect: standing before it was not a mere passerby, but the director of this entire urban phantasmagoria. The finger served as a warning: the next frame would reveal the ultimate secret, so don't you dare blink.
📷 Gear & Tech:
Date taken: July 15, 2020
Location: Arbat Street, Moscow
Camera: Canon Prima Zoom 80u Date (AiAF) [38–80mm] (#8405914)
Film: Svema KN-5D (expired Jan 1991, B/W cinema negative)
Lab & Scanner: Dev & scan @luch.lab / Frontier SP500
"I did not smile, and the universe looked on and decided that a smile was no longer necessary."
— In the spirit of Daniil Kharms](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreig7u3litf6djdriolighoxew6yfuf3svz23o6eaz6t7fv6rghjjue)
![The stringer gave the camera a sharp shake, and his stone-like face scattered into several phantom projections. His glasses multiplied, the warning finger turned into a dual signal pole, and the author instantly transformed from a real person into the eternal ghost of Old Arbat. The 1991 Soviet Svema motion picture film captured this leap into pure lomo-punk with joyful amazement: a moment when the observer himself becomes a vibrating phantom, invisibly monitoring the life of the Arbat paving stones.
—
📷 Gear & Tech:
Date taken: July 15, 2020
Location: Arbat Street, Moscow
Camera: Canon Prima Zoom 80u Date (AiAF) [38–80mm] (#8405914)
Film: Svema KN-5D (expired Jan 1991, B/W cinema negative)
Dev & Scan: Luch Lab (@luch.lab)
"I shook the camera, and the camera shook the world, and we both decided that sharpness was overrated, and being a ghost was far more interesting."
— In the spirit of Daniil Kharms](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreibkn5w4x7lnky7y3ekzdhheq4aoyaoto3pnreaysrhccbhvx62fyq)
![Light overhears them,
city pretends not to know,
silence glows softly.
They speak of simple things — tea, travel, warmth. But the film decided it was a secret and added a light leak so the talk would look like revelation. We peek in, but see only gestures and smiles, as reality quietly films itself.
Technical Credits:
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (№8405914)
Film: Fomapan 100 Classic Black and White Negative Film (expired 03.2007)
Scanner: Frontier SP500 / Dev & Scan: @luch.lab
Location: Tverskoy Boulevard / Nikitsky Gate Square, Moscow
Date: October 6, 2021
Models: Jane She and Nadine Froh
Philosophy: “Every conversation is light pretending to be sound.”](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreihpkaod2ymlxabid2jilqvz6tdi32urpl4ajm42rgrnccm4flh53q)
![Quiet whispered words.
A veil of light linen haze.
The frame holds their secret.
Nadine and Jane were quietly whispering about something. Nadine closed her eyes with delight, telling some amusing Berlin or Moscow story, while Jane smiled softly from beneath her black beanie. At that exact moment, the photographer pretended not to be there and hid behind the edge of the frame. The expired Fomapan film instantly joined the game: it cast a misty veil on the left, as if pulling a curtain across a room where two playwrights were busy writing the script for their future lives.
Technical Credits:
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (№8405914)
Film: Fomapan 100 Classic Black and White Negative Film (expired 03.2007)
Scanner: Frontier SP500 / Dev & Scan: @luch.lab
Location: Tverskoy Boulevard / Nikitsky Gate Square, Moscow
Date: October 6, 2021
Models: Jane She and Nadine Froh
Philosophy: “A candid shot framed by vignetting and emulsion haze creates a genuine sense of voyeurism: the viewer isn't just looking at a portrait, but overhearing pure, authentic emotion.”](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreifcepidqnwzkylzxfj5zetv2dkid3e3nioclyshernldrg5a6pwc4)
![“The Storm Petrel on a Pedestal That Survived More Revolutions Than He Did” (Fomapan 100)
Rose with a crack in his side —
Summer 2021
The writer Gorky lay on the grass for a long time while they constructed a road interchange. He felt the sky was much easier to observe from that angle, but in 2017 they lifted him back up and set him upon a pedestal. Shadr and Mukhina breathed a sigh of relief, while the new tram loop began running around him like an excited dog. The Fomapan film barely degraded here, leaving only a faint veil hovering over the Belorussky station. The writer stares at the people on the bench, realizing that the storm petrel has long flown away, yet the lantern post remains.
"A monument is not frozen bronze, but a witness who also has a biography: it is dismantled, it lies down, it cracks, it is returned. And in this, it is more like a human than like an idea."
Technical Credits:
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (#8405914)
Film: Fomapan 100 Classic B&W Negative Film (expired 03/2007)
Lab & Scanner: Dev & scan @luch.lab / Frontier SP500
Date: early July 2021 (approx.)
Location: Tverskaya Zastava Square, Moscow
Subject: Monument to Maxim Gorky by sculptors I. D. Shadr and V. I. Mukhina
Philosophy: “A monument is a book that time decided not to finish.”
Short Info:
The Maxim Gorky Monument at Tverskaya Zastava Square. Designed by Ivan Shadr (1939), completed by Vera Mukhina, and erected in 1951. In 2005 it was dismantled and moved to Muzeon Park, where it first lay horizontally.
In July 2007 the monument was set upright, and after restoration in 2017 it returned to its historical site at Tverskaya Zastava Square.
It is recognized as a federal monument of monumental art.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreidthlu6kggkkq63a33ec5zvw6hpfkf73l5rvnggrjnc3ebi2qn6pq)
![“The Ghost with a Raised Head, Emerging from the Fog of Analog Madness” (Fomapan 100)
Defect made a portrait
Gorky stepped out of the fog
Head in the clouds
This is not a light leak — it’s revelation. The film decided Gorky should become a ghost. He’s no longer a monument but a shadow remembering how to be human. The camera’s flaw turned documentation into a metaphysical self‑portrait of the city, where past and present meet in the white noise of light.
Technical Credits:
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (#8405914)
Film: Fomapan 100 Classic B&W Negative Film (expired 03/2007)
Lab & Scanner: Dev & scan @luch.lab / Frontier SP500
Date: early July 2021 (approx.)
Location: Tverskaya Zastava Square, Moscow
Subject: Monument to Maxim Gorky by sculptors I. D. Shadr and V. I. Mukhina
Philosophy: “Errors are matter’s way of remembering the soul.”
The camera sneezed, and Gorky vanished in a white haze. Only his shadow remained, which proudly raised its head, although shadows don't have heads. The film decided it didn't like reality and drew its own. In this reality, Gorky is not a monument, but a ghost who came to look at us from 1951. The camera broke, but that's exactly why the shot worked. Art is when you wanted to photograph a square, but got a poem about how bronze drowns in milk.
"Sometimes the camera knows more than the photographer: it understands that perfect composition is boring, and creates a masterpiece through defects, turning a document into a vision."](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreibgiubj75yp3ujjzvvluc5jwzvrltsoied76nnaxvlpztbbsbgsee)
![“Steel Pilgrim Seeking the Reflection of Faith” (Fomapan 100)
He stands between eras, a symbol that forgot its meaning. The church is memory of the vertical, the pilgrim — its mirrored continuation. Concrete and glass sing a rational hymn, but the film, damaged by time, turns it all into a revelation of imperfection.
Technical Credits:
Variations on a theme «…with a film across Moscow»
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38–80 mm] (№ 8405914)
Film: Fomapan 100 Classic B&W Negative Film (exp. 03.2007)
Scanner: Frontier SP500 / dev and scan @ luch.lab
Date: early July 2021 (approx.)
Location: Tverskaya Zastava Square, Moscow
Philosophy: “Faith is a reflection unaware of who observes it.”
About the Frame:
Foreground: A 3.5-meter stainless steel statue from Georgiy Frangulyan’s "White City" installation (2009) at the Belaya Ploshchad business center. Background: The Old Believer Church of St. Nicholas at Tverskaya Zastava (1914–1921, arch. A. M. Gurzhienko), designed in the Neo-Russian style mirroring medieval Veliky Novgorod architecture.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreifx7daomzn7aq4edxvqlrxd2353fkebe2qbqt5skmj7alh5ptzpaq)
![“TThe Ghost of the Dome Drowning in the Milk of Analog Eternity” (Fomapan 100)
Steel dissolves in light,
faith reflected in silence,
city forgets speech.
The White City is not a place, but a moment when light decides to remember. The sculpture and the church — two languages
speaking of humanity, yet unable to translate each other. The film, damaged by time, becomes a prophecy: error is the way light recalls itself.
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38–80 mm] (№ 8405914)
Film: Fomapan 100 Classic B&W Negative Film (exp. 03.2007)
Scanner: Frontier SP500 / dev and scan @ luch.lab
Date: early July 2021 (approx.)
Location: Tverskaya Zastava Square, Moscow
Philosophy: “Perfection is an illusion that vanishes in exposure.”
The camera blinked, and the temple vanished. Only its sigh remained on the paper. Light turned out to be heavier than stone. It pushed through the dome like a finger pressing into pudding. In the developer floated not silver molecules, but forgotten prayers. The building on the right also melted, because glass cannot hold its shape in such heat. We look at the void, but the void looks back at us through glasses made of pure overexposure.
"Sometimes, to see the essence, you must let the light completely destroy the form. Truth always hides in the overexposure — there where details surrender, and only the ghost remains."](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreiaw6ccbj6ppyx3rh5rtkvvvu6g62r4vm2l3cvomhgvvkg3upz4vym)
![“Ghost of Bohemian Waters upon the Walls of a Subterranean Passage” (Tasma FN 100)
A river needs not be liquid if it chooses to reside inside a subway passage. It may freeze into a flowing drape and hover above the checkered walls, dissolving into the dense, grainy fog of expired silver. Commuters hurry to catch their trains, unaware of Prague's subterranean fairway flowing right above their heads. The film's fog washes away the boundaries between concrete, metal, and current, leaving only the quiet echo of distant water sprays lost deep within Chertanovo.
In the metro passage, the river turns into a woman, and the woman into motion frozen in bronze. The old film, weary of contrast, softens everything — water, air, memory. It feels as if Vltava herself became a cloud to avoid seeing her own forgotten name.
"A river frozen in metal and silver fog flows not through a riverbed, but through the memory of those who pass beneath."
— Philosophy of Subterranean Currents
Technical Credits:
Camera: Olympus mju II Zoom 115
Film: Tasma FN 100 [USSR B&W film, 07.1995]
Developer: Kodak D‑76 (lab: sreda.photo)
Scan: Pakon F235+
Date: 20 August 2017
Location: Passage near metro Prazhskaya, Moscow
Subject: Sculpture personifying the Czech river Vltava
Series: Variations on a theme «…with a film across Moscow»
Film condition: Expired, storage unknown — veil and low contrast preserved as aesthetic layer](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreicqvhhdgzwwk35wvxpeaqfyxfwew5ohz3lm6njspllwgepw3ihdqi)
![On Old Arbat, a man removes the head of a plush animal — and for a moment, the person inside the role becomes visible.
The blurred frame turns motion into a state: the mask rests, and the city sees itself through a human face.
⚙️ Technical Credits:
Date: April 17, 2019
Location: Moscow, Arbat Street
Camera: Pentax Spotmatic SP II (№5247478)
Lens: MC Macro-Revuenon 28 mm ƒ3.5
Film: Tasma FN 100 [USSR B&W film, 07.2005] (Expired, EI 100)
Development: D‑76
Lab: sreda.photo lab
Scan: Noritsu HS‑1800
Philosophy: Sometimes a person becomes visible only when the mask is tired.
The old Arbat suddenly decided to flow like poorly brewed tea. Everything spun: the streetlamps, the cobblestones, the passersby, all turning into a single gray vortex. The stringer raised his camera on the run, not even taking a moment to glance through the viewfinder, and pressed the shutter. And in this vortex, in its very epicenter, one solitary, motionless moment suddenly froze.
Someone in a bear’s skin, tired of endlessly framing the world through foam-rubber eyes, simply took off his large plush head and placed it on a wooden bench, next to a sign reading "FOR RENT," which was also drifting somewhere in the distance. The world saw a human face—weary, with features of a resident of the vast steppes of Central Asia. The man composedly pulled out a pack of cigarettes, flicked a lighter, and exhaled blue smoke, which instantly mingled with the Lomo-Punk vortex.
It turned out that even the mythical Arbat animals have the most ordinary, human harmful habits. They too grow tired, want to smoke, and remove their beastly masks just to breathe. And the expired Soviet emulsion, as if knowing the truth, captured this moment in coarse brushstrokes of silver grain.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreictsqfnsg5mq65l6lqqasmfvfrmvacfrwerxeofq7jhwrwnsztx74)
![Two people rest on a bench like temporary files of the metropolis that the system forgot to delete. The sun backs up the shadows, and at their feet stands a clear vessel holding the day’s fatigue. The city freezes, rebooting through their sleep, becoming for a moment not a street but an interface glitch.
⚙️ Technical Credits:
Date: April 22, 2019
Location: Moscow, Arbat Street
Camera: Pentax Spotmatic SP II (№5247478)
Lens: MC Macro-Revuenon 28 mm ƒ3.5
Film: Tasma FN 100 [USSR B&W film, 07.2005] (Expired, EI 100)
Development: D‑76
Lab: sreda.photo lab
Scan: Noritsu HS‑1800
Philosophy: Rest is a form of resistance to time.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreifctdenpqpv7dylte3wbjq6xcggfm6tlqovuvpn3hszfoxk7o5cu4)
![Two operators of chaos meet their quota for collecting traces of existence. The bag is a portal
where the city stores its mistakes. Every grumbling gesture is an alarm signal in the metropolis system running on autopilot. Arbat hums like a factory processing people into memories.
⚙️ Technical Credits
Camera: Pentax Spotmatic SP II (№5247478)
Lens: MC Macro-Revuenon 28 mm ƒ3.5
Film: Tasma FN 100 [USSR B&W film, 07.2005] (Expired, EI 100)
Development: D‑76
Scanner: Noritsu HS-1800 Film Scanner
DLocation: Moscow, Arbat Street
Philosophy: Realism is when metaphysics wears a helmet.
Two people in identical hard hats held a plastic bag, inside of which the yesterday of Moscow city resided. Suddenly, an underhanded stringer ran out from around the corner, pressed a button on a film apparatus with his finger, and stole their reflection along with a chunk of sidewalk tile.
"Listen, my good sirs," one person in a hard hat burst out, pursing her lips toward the lens, "why are we constantly being fixed upon expired bases without our verbal approval? We are, by the way, cleaning the planet of excess atoms here, while you with your glass pieces are increasing entropy!"
The second person said nothing; he simply gripped the bag tighter so that the morning sun wouldn't accidentally tumble out of it. And behind them, upon the facade, the foreign letters "New Balance" pretended they knew how to read Russian, while the active grain of the Tasma turned this street scandal into a document of strict accountability.
«Street photography is always a bit of a guerrilla war for reality. When people in hard hats try to hide their faces from the lens, they intuitively defend their right to remain the invisible force that maintains order. But the expired Soviet emulsion knows no mercy: it catches their grumbling and turns a fleeting flash of street discontent into an eternal monument of lomo-punk».](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreibq3lxexm5yikrqvmrwlthvjai3rarx46lsfmcfb4r6zp3rxnzxnm)
![At the threshold of Red Square, history does not end — it repeats in every ray of light. The Kazan Cathedral stands as a memory of a prayer addressed to the city. The film does not record architecture; it transforms it into the breath of time, where each dome resonates like a note of old Moscow.
⚙️ Technical Credits:
Location: Russia, Moscow, Red Square (passage Resurrection Gate)
Subject: Cathedral of the Kazan Icon of the Mother of God
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (№8405914)
Film: Svema KN-5D (release date: January 1991), cinema film negative B/W
Date: 27.04.2021
Philosophy: "The ancient Russian spirit hiding in the silver halides"
The Cathedral of the Kazan Icon stands where Red Square meets Nikolskaya Street. It is small compared to the Historical Museum and the GUM department store, but it does not care. The Svema KN-5D film, born in January 1991, looks at this church and sees... grain. So much grain. The emulsion is tired. It cannot hold the details. The ornate facade dissolves into silver fog. The onion domes float above the modern buildings like memories of a different Russia. People walk past. Some enter. Some pray. The film grain makes the sky look like ancient parchment. This is not a photograph of a church; it is a photograph of the idea of a church, filtered through thirty years of chemical decay. The ancient Russian spirit is still here, hiding in the silver halides, waiting for someone to notice.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreie47ix72bgnfzjvme4sjbg62heuj2jr7d7luxxpy4a2okjnkwbs3q)
![“The Stone Vessel of the Old Faith” (Svema KN-5D)
The chapel stands above the water like thought above time. Its reflection is not a copy but a memory of what was spoken without words.The film preserved not architecture but the breath of faith dissolved in grain.
Technical Credits:
Location: Russia, Moscow, Rogozhskaya Sloboda (Old Believer Church)
Subject: Water-sacred chapel «Jordan» (Vodosvyatnaya Chapel)
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (№8405914)
Film: Svema KN-5D (release date: January 1991), cinema film negative B/W
Date: 26.09.2020
Condition: Heavy fog (вуаль) and contrast drop
Philosophy: "The camera did not change. The chemistry changed the world."
The Rogozhskaya Sloboda is a quiet paradise in the middle of a dusty, noisy city. Here, among blooming roses and resident ducks who raise their families every year, stands the Vodosvyatnaya Chapel, the "Jordan". The arches curve over the dark water, holding the weight of history. The Svema film, despite its age, captures the stone with stubborn clarity. It is a physical object. It was built by hands, it holds water, it reflects the sky. The grain is heavy, but the structure is solid. This is history, documented in silver. The Old Believers kept their traditions alive through centuries, and the stone remembers. Once a year, after Easter, a fair comes alive here, and a procession walks through these arches. The chapel is not a museum; it is a living heart of the Old Faith.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreifu4kcztmn233enqulpuokhlbq526ix47vhn6akv7csgpvgj6ku64)
![“The Jordan Dissolving in the Silver Fog” (Svema KN-5D)
The same frame, yet time has departed.The film’s veil turned reality into dream and dream into revelation. It feels as if the air itself became sacred water where all earthly things dissolved.
Technical Credits:
Location: Russia, Moscow, Rogozhskaya Sloboda (Old Believer Church)
Subject: Water-sacred chapel «Jordan» (Vodosvyatnaya Chapel)
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38-80mm] (№8405914)
Film: Svema KN-5D (release date: January 1991), cinema film negative B/W
Date: 26.09.2020
Condition: Heavy fog (вуаль) and contrast drop.
Philosophy: "Faith is the geometry of light in water."
But then, the chemistry intervenes. The same chapel, the same angle, the same focal length. But the emulsion, tired after thirty years of waiting in the dark, decides to exhale. A silver fog rolls in. The contrast drops. The stone begins to dissolve. This is no longer a photograph of a building; it is a photograph of a memory of a building. The Old Believers preserved their faith in secret, in the mist of persecution. The film, by a chemical accident, recreates that mist. The chapel is no longer on the water; it is floating in the void of the expired emulsion. A ghost of the 18th century, caught in the fog of 1991. The camera did not change. The world changed.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreiclp7wccjewlyotrftj3pskcdek6mgomq735aonn2ahbakrwpcqsi)
![“Three Acts of Light”
On the square where stone remembers every march, three girls play at the army of light.
One commands the flash, another obeys the frame, the third waits for a signal from the air.
It feels as if Moscow itself is taking the picture — on film already expired by time.
📷 Technical Credits:
Camera: Canon Prima Zoom 80u Date (AiAF) [zoom 38–80mm] (№8405914)
Film: Svema KN‑5D (release date: Jan 1991), cinema film negative B/W
Location: Moscow, Red Square
Date: April 27, 2021
Scan: Fujifilm Frontier SP‑3000
Philosophy: Light obeys only those who salute the absurd.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreigmafcdvhra2ih2psazhh7xh4x5lolx2aihq2b2dfajuaeaagmapu)
![“Carving and Breath: When Stone Speaks Back to the Craftsman” (Kodak Tri-X 400)
Fingers trace the grooves.
The capital holds its breath —
The stone whispers back.
A restorer working with the gravestones of the Donskoy Monastery Necropolis — where stone and time learn to align again.
Moscow. The Donskoy Monastery. Necropolis.
13 September 2018
Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629)
Film: Kodak Professional Tri-X 400 Black and White Negative Film
[Expired, storage unknown, exposed at nominal ISO]
Scanner: Pakon F235+](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreifaqvo5hk7apdr4ndvgkaifphy6ckdio6pw7uwyacbhnxbst47lmu)
![“Echo Through Centuries: Restoration as a Conversation with History” (Kodak Tri-X 400)
Dust of centuries brushed away.
Carvings rise from shadow —
Ancestors’ voices return.
Moscow. The Donskoy Monastery. Necropolis.
13 September 2018
Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629)
Film: Kodak Professional Tri-X 400 Black and White Negative Film
[Expired, storage unknown, exposed at nominal ISO]
Scanner: Pakon F235+](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreigyook6ncovd5mundrff4hh76s54e5g6mda2ho3rtgmy5otxh5zu4)
![“Dialogue with Stone: When the Past Responds to Touch” (Kodak Tri-X 400)
Silence of the necropolis.
A hand sweeps dust from granite —
Echo of forgotten words.
Moscow. The Donskoy Monastery. Necropolis.
13 September 2018
Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629)
Film: Kodak Professional Tri-X 400 Black and White Negative Film
[Expired, storage unknown, exposed at nominal ISO]
Scanner: Pakon F235+](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twfoosjibsbs4ivgvckiitol/bafkreidjw6aiegc2sg3lsodc7mvmnw7j2yysx2xkumh7mhmfse3lssywjq)