iiinova — where your digital self keeps evolving

Replies

Cécile Fromont @cecilefromont.bsky.social · 01/12/2024

What did the idea of eternal damnation and Catholic images of hell mean to enslaved survivors of the middle passage? Larissa Brewer-García and I reflect on this question in 👉🏽 academic.oup.com/arthistory/a... @forarthistory.bsky.social #earlymodern #slaveryarchive #latinamerica #africanhistory

Attributed to Jean-René Lhermitte, View of Cap Français and of the ship Marie-Séraphique, capitaine Gaugy, on the day of the beginning of sales, third trip to Angola, 1772–73. Watercolour on paper, 55 × 43 cm. Nantes: Musée d'Histoire de Nantes. Photo: Musée d'Histoire de Nantes.

Alejandro Salas, El infierno, 1879; copy of a seventeenth-century painting by Hernando de la Cruz. Oil on canvas, 315 × 485 cm. Quito: Iglesia de la Compañía de Jesús. Photo: Raúl Montero Quispe, MAVCOR.

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Lynn Huber @lhuber.bsky.social · 03/12/2024

Thank you for sharing this.

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Mikusa @mikusa.bsky.social · 01/12/2024

If you can’t bear to teach about the history how will you EVER be able to understand WHY we survived or how we’re able to thrive today? Everyone gets their turn in the bowels of the ship called civilization.

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